A Quote by Ramin Djawadi
Many times, the way I write my themes or melodies is that I hear it, and then I sing into my phone or something, or I'll scribble down on a piece of paper.
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I'll hear a beat and think, 'How can I make this a banger?' I'll write the lyrics on my phone or on a piece of paper, and either way, it's going to be a slapper.
I used to just scribble things on a piece of paper whenever an idea would - came to mind. Now with cell phones. It definitely has gotten a lot easier because I can just take it out and just - I'll just sing into my phone.
When I'm talking to somebody, I'll put a piece of paper on the table and I'll write what I call a conversation summary - notes about the conversation on the piece of paper. At the end of the conversation, I'll take a picture on my phone and give the other person the original piece of paper.
If I'm not in an environment where I can record, it's great to be able to write something down, to be able to know how to do that, to be able to write notation. You grab a piece of paper and there it is. It's the cheapest recording equipment you can buy: a piece of manuscript paper and a pencil!
I write down three things in the morning that I want to accomplish, but I write it down as if I have already accomplished it. So you write it down three times. And then in the daytime, like near the afternoon, you write it down six times. Then at night, you write it down nine times.
Sunday is a likely day to write a poem. Because poetry is a piece of language flying around: you'll find notebooks, something on your phone. It's about finding them and getting them off that crumpled piece of paper and onto my computer.
If I'm reading something and a word pops up, or I just catch it, I try to mark it off and then, later, write it down on a piece of paper and add it to my list.
If you have something to say, here's what you do: You write it down on a piece of paper, you go out in the lobby, and then you go home and you kill yourself.
Make a living will. Talk about it. Death is going to happen to everybody. Write it down. Even if you write it on a piece of paper at home and have your family witness it, you need to write it down.
A lot of times I'll doodle on something while I'm doing interviews, because sometimes I'm on the phone for three or four hours and I want to get something going. I'll just start from a scribble, or something that someone else already put on the page.
While many of my musicals deal with big themes and ideas, I don't intentionally go looking to write shows like that. A story will interest me, and then somewhere along the way, I discover that hidden inside are these epic themes.
What I do is give Ennio Morricone suggestions and describe to him my characters, and then, quite often, he'll possibly write five themes for one character. And five themes for another. And then I'll take one piece of one of them and put it with a piece of another one for that character or take another theme from another character and move it into this character.... And when I have my characters finally dressed, then he composes.
It sounds like I'm channeling or something, and I don't really fully understand what it is. I'll get a piece of paper and write down what I think is coming to me. And I'll play it once. Whether it's being recorded or not, I can then usually remember it for a sometimes shocking amount of time.
On a piece of paper, write down the thing that is stressing you, the obstacle that is in your way. Then put it in a box and just leave it there. At the end of about a week, dispose of it - throw it in the trash or bury it - some sort of ritualistic act of releasing it.
I try to keep my eyes and ears open all the time for the bones of my next song: things people say, melodies I hear in my head, and little musical parts I may stumble across. I write them down or record them on my phone. Whatever I need to do to keep the idea for later when I have the time to sit down with it. So writing for me is a 24/7 pursuit.
When I write for 'n+1,' I begin by doing a lot of reading, to try to convince myself I'm not stupid. Then I scribble down a paragraph here, a paragraph there, when a notion strikes. Then I see if I can arrange those notions in a way that yields an argument.
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