A Quote by Ramin Djawadi
With 'Game of Thrones,' the most dominant instrument would definitely be the cello. That's something I just felt really captured the mood of the show very well.
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We knew we wanted to have our own tone for the show. And then the big instrument that actually we came up with was the cello. It has a big range. It can play really low. It can play high. And it has a dark sound, and 'Game Of Thrones' is obviously - it's a dark show, and the cello became the featured instrument.
What I like about 'Game of Thrones' is that there's such a wide range. We have everything from very small, just solo instrument pieces, just the solo violin or solo cello, and then we go all the way to these bigger action moments.
I had worked in TV prior to working on 'Game of Thrones' - 'Game of Thrones' is far more cinematic than any other television show that I had done before, and so I feel that the worlds of TV and film are most definitely merging as one.
Well, (Michael) Jordan was definitely one of the kings of the game. There's no question that he was one of the more dominant figures. If you look at the top ten players of all time, he was certainly one of the most dominant guys.
We wanted to make a powerful cello sound in order to show to the world the possibilities of the cello and to use it in a different way than the classical way they are used to. We wanted to play something exciting, something crazy, something to draw younger generations to this great instrument.
The most amazing set where I've shot 'Game of Thrones' is definitely Croatia, in Dubrovnik. It's such a stunning country with lots of good watersports there as well. Just a beautiful, beautiful place.
I certainly relate to Ygritte in the fact that she is so strong and also ruthless as well and I feel that especially within 'Game of Thrones,' I think that as a show, it is one of the frontrunners for showing dominant female characters and making sure that men answer to women rather than the other way around.
I certainly relate to Ygritte in the fact that she is so strong and also ruthless as well and I feel that especially within Game of Thrones, I think that as a show, it is one of the frontrunners for showing dominant female characters and making sure that men answer to women rather than the other way around.
I keep saying if I ever get a good amount of quiet time that I want to learn to play cello. It's a very warm instrument. The tone of the cello and the movement - I don't know what is; I love it so much.
People don't think of cello as a rock instrument, really, and we want people to know all the possibilities that the cello can offer.
There's no way the writing staff of 'Game of Thrones' haven't read 'The Art of War.' There's definitely an influence on 'Game of Thrones' from this book in both a general way and on the character of Lord Baelish and his strategies.
'Game of Thrones' has been a large part of my life for the last six years and for my family as well. It's very seldom that you come on a show and it's the perfect role for you.
I'm definitely excited about roles where I get to wear cool costumes. I love Game of Thrones, and would love to do something like that. I'm totally a dork.
In terms of my career and stuff, Game of Thrones has just been such a blessing because people really love the show.
My ultimate game - or at least one I would really like to see - would be something where it was like the beginning of George R. R. Martin's 'Game of Thrones', where you're Ned Stark, and you know that one of your friends has been murdered, and you go to the capital city and you have to navigate this web of court intrigue.
I started to play noise on my cello because I felt a deep personal connection to it. I mean, I still love all the beautiful sounds of the cello as much as anybody but it's only when I play certain sounds I know that the cello really presents who I am; not my emotions but who I am as a person.
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