A Quote by Ramona Koval

I learned that books could be collected, that they were important enough to keep and that a story that seemed to be over could be part of a bigger one. — © Ramona Koval
I learned that books could be collected, that they were important enough to keep and that a story that seemed to be over could be part of a bigger one.
I learned how to skate, I couldn't do the tricks, but I could certainly skate fast enough. I could keep up with anybody and I could bomb hills and I could hide behind my camera.
You could try and understand people, you could read books and understand words and concepts and ideas, but you could never understand enough or have enough knowledge to keep away the surprises that both fate and human beings had in store.
I realized, "Gee, you're making the same film over and over here." I just kept making them for my own amusement, but also with this thought in my head that I could collect enough songs to make an album out of it. I am attracted to non-dramatic moments in life. The idea of a coffee break is not something you'd think of as being an important part of your day, so these shorts were like little free zones in which we could just play around.
I wish - I wish instead of just recommending these books, I could set them down at your doorstep. The collected stories of John Updike, the second volume of T.C. Boyle's collected stories, and Stanley Crouch's book about the rise and times of our genius saxophone player Charlie Parker. These are deep books, books that you can get lost in.
The world in books seemed so much more alive to me than anything outside. I could see things I'd never seen before. Books and music were my best friends. I had a couple of good friends at school, but never met anyone I could really speak my heart to.
It seemed that I could tell the whole story pretty powerfully in those 18 months between October of '62 and the spring of '64 when they were all at their peak. And yet you could see some of the shadows of Detroit's demise coming.
I could, of course, have done no more if no less than affiliated myself in one way or another with a particular church, could have simply read books about Christianity, talked to Christian people, set out to discover something about what a Christian life is supposed to involve and then tried as best I could to live one. But, on the one hand, that didn't seem enough to me, and on the other, it seemed to much.
While I knew that individuals had in history - and still could - make a difference, it seemed presumptuous - even pompous - to imagine that I could be part of it, that I could be one of them.
I don't plan my books. I don't know what's going to happen. That's why I could pick up any one of my 30 books and I could continue the story on.
So, it's always different. Some stuff, you want to do because it's a part that you've never played. It's always for story. Sometimes there's a story that you really dig, but there's no part that you're interested in. Sometimes you read a story and you say, "I could do that. I've never done that before. I could do play that part.
And it seemed hard to believe that these people who were so close to me couldn’t see how desperate I was, or if they could they didn’t care enough to do anything about it, or if they cared enough to do anything about it they didn’t believe there was anything they could do, not knowing—or not wanting to know—that their belief might have been the thing that made the difference.
The books could be completely worthless, and things we don't even read now could be considered the most important books.
What I've learned as we've gotten bigger is that it's really, really important for us to take all the opportunities to tell our story, because as we grow and have a bigger impact on cities, if we don't tell our story, somebody else will.
I don't think that there's a target audience at all. These stories were in circulation. The stories were told by men, told in the marketplace by men, but also behind doors by women, but there's no real record of this. It's likely they were told by women to children in their interior rooms. The story could be a negative story, they could be presented as a, "Watch out! Women will get round you, do things to you, weave you in their toils." It could be buried in it an old cautionary story about women and their wiles.
I could handle the basketball but I wasn't quick enough to move defensively. Offensively, I was fine. I could get around, I could do stuff, but defensively I wasn't quick enough. I couldn't keep up. That was the biggest thing. And that was at the Division II level.
To be honest, when I was writing these stories a million years ago, I never thought about movies at all one way or another. It would have seemed almost miraculous for these things to be movies someday. To me, they were just comic books that I hoped would sell so I could keep my job.
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