A Quote by Ramy Youssef
I'm getting in front of real, diverse audiences every night that I can, and I'm trying to make things from an angle where it's not the only thing I'm hanging my hat on.
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I never strike out at any life form. The only things I attack are icons of conspicuous consumption. People put objects in front of their life, in front of anything that has real importance. They make this 'thing' their God.
I used to pray every night: 'Please let me look all right from the front.' I didn't care about real life, but I wanted to look good for theatre audiences - I worried about having a funny nose.
The competitiveness, playing in front of 18-19,000 people every single night, people asking for my autograph, getting recognized, being able to do something like this with Sega and being on the front of a box, and being involved in video games, and listening to movies where they reference my name like in Swingers. All these things they make life so exciting, you don't know what to expect next.
Even when you're acting with a producing hat, when you're in every scene, you're really conscious of trying to make everybody as good as they are, because ultimately you're trying to make the best movie possible.
There's a joy in having the molecule of an idea, then testing it in front of audiences at secret shows that people only know about the night before.
I love just getting to experience the different types of fans and getting to perform in front of thousands of people every night; that is icing on the cake for me. That is the fun.
When I perform in front of large audiences, I'm much more comfortable, because I've already performed in front of tiny audiences - which is much harder, honestly. The smaller you strip things down, the more you depend on the songs and yourself, as opposed to arrangements.
This is newness: every little tawdry Obstacle glass-wrapped and peculiar, Glinting and clinking in a saint's falsetto. Only you Don't know what to make of the sudden slippiness, The blind, white, awful, inaccessible slant. There's no getting up it by the words you know. No getting up by elephant or wheel or shoe. We have only come to look. You are too new To want the world in a glass hat.
I think what I am always trying to do is make clothes for every girl to wear, to make things that you are going to accessorize from day to night. I am really trying to focus on casualwear - making your basic sweatpants cool, trendy, and funky.
As long as you do the best work that you can and not make it bland... because you're going down a lane that is trying to make everybody happy. You have to take an angle on these things.
There is a thing that happens when you are not as privileged and you start hanging out with a seedier crowd because you can afford to do the same things, And all of a sudden the big night out is sitting in somebody's trailer, smoking something or getting hold of something to put up to your nose.
You look at driving down the road, night after night, tryin' to make a town, getting $25 - that's hard times. It's our duty to make it good times for the fans that pay their money to see us perform each and every night.
I am a director and I think actually they're not that different - dramas and docs aren't that different. When I'm doing a drama I'm trying to make things feel as believable and real as possible. The hair, the make-up, the costume, the design, you're trying to make it authentic. And when you've got a documentary it's all authentic, so what story are you going to tell and how do you make it dramatic and exciting? It's the same thing.
The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people from than the people of his experience ... The only thing the writer can do is to recombine parts, suppress some characterisitics and emphasize others, put two or three people into one fictional character, and pray the real-life prototypes won't sue.
I`ve got a black woolen hat and it`s got Pervert written across the front of it. It`s the name of the clothing label. And I was with my wife and my baby at the supermarket and I didn`t think. I just put my hat on Clara`s head, because it was cold. And the looks. I couldn`t figure out why I was getting death looks. And then I realized my 10-month old baby`s wearing a hat with the word Pervert written on it and these people were like, `There`s Satan! There`s Satan out with his kid!` And then I made a point of her wearing it every time we went there.
The facts are in: diverse companies and teams consistently outperform all others. It's not only the smart thing and the right thing, it makes getting the job done much more interesting.
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