A Quote by Ramy Youssef
The stories I always see about a first-generation kid trying to erase where they came from, or trying to just be white, I would watch those shows or movies and I was like, 'I don't get this.' This isn't how I feel.
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I think that a lot of the stories I would see was kids who are first-generation immigrants, watching them try to rip themselves from their family and their faith and kind of erase. I hadn't really seen anything where someone's trying to reconcile the two.
I still feel I am that 14-year-old kid, hungry and trying to find a way through life. That's what I'm trying to develop, trying to be good at something through boxing. But I feel like that young kid who's trying and trying.
The stress that we [with Abilities] always feel is trying to continue advancing with our music. That's our plight, it's ingrained in our personalities. We feel like we're trying to race the world of music itself - just trying to create the best music, and as soon as we get done with one piece we're trying to figure out how to top it.
We[ Papa Roach ]'re always trying to get bigger and bigger. It's weird because I wasn't around when they sold millions of records. Now it's just always about "OK what new people can we get to." We're trying to package up with younger bands like Bring Me the Horizon or Of Mice and Men. Those bands always get talked about, because their demographic is so young. But, actually we are seeing a lot of younger people at shows which is awesome.
I used to watch those syndicated, black-and-white Country Music Television shows from the '60s with my dad. And all of those people that played on our television set, they just felt like family to me. And I believed in my heart, as a little kid, that I would be doing that someday and I would know all those people and we would be friends.
The results would have stayed on the watch face until the batteries died. But trying to make time stand still this way would have been a mistake. It is just as important to erase times eventually as to save them at first.
People expect to see white guys, Sunday afternoon, on 'Face the Nation.' And people with a direct interest in politics do watch those shows. But not a lot of normal people watch those shows. But, 'Real Time With Bill Maher,' it's unbelievable how many people watch that.
When I was a kid just starting out on the radio, I would always watch people. And I'd see the interest they'd have in trying to get a photo with an artist or get a ticket stub signed. I guess, to me, that's the ultimate thing - to know that what you've done is important enough to other people that they want to take a picture with you.
I used to just daydream all the time about being in movies, from the age of like, four onwards. I would sit down and watch movies with my father and my grandfather, and always pretended that I was in the stories.
I used to just daydream all the time about being in movies, from the age of, like, four onwards. I would sit down and watch movies with my father and my grandfather, and always pretended that I was in the stories.
I'm still like a little kid about it, where I'm just so happy and excited that people want to come to our shows and watch us play. I still go outside the venues and take a picture of our name on the marquees. I still feel like I'm trying hard to be in a good band, I really do. And I think that's a healthy approach.
In my movies, I'm not trying to erase any old image of myself, really. And also I'm not trying to imitate anyone or follow in their footsteps, because I know, Burt Reynolds was just one of the people that told me this, I know how you can only last in this business if you got something special to offer, just by being yourself.
When I was first trying to explain to my parents that I was really a girl, my father didn't know what to do. He had these preconceived notions about what his family was going to be like, and when I didn't fit into those notions, he just ignored what I was trying to tell them before he really came around.
I don't like movies that are trying to preach and trying to tell you how to feel.
I think that television lately has been extremely dark and, in some ways, cynical but I also think that people who are writing those shows probably feel exactly as I do - that sometimes the darkness of a story can highlight the light in a story. There's a lot of cynical stuff but I think it may be even more in movies now where you see so many movies about cynical and corrupted characters. That's the state of many movies right now but movies, television, all of culture, there's always going to be a battle between the stories that are cynical and stories that are hopeful.
The superhero shows and movies are always having the spotlight on the superheroes themselves. It's never about the people who are living in that world and then trying to go about their life without the superheroes involved. It's about what that actuality would be like.
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