A Quote by Ramy Youssef
This is my point of view, and that's why I call the show 'Ramy'. I made the show that I would want to see. So it's only going to hit on certain things.
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Recently, I went up to Casino Rama to see Martin Short's show, just to see how he put it all together. And after the show, I went backstage and picked his brain to find out why he did certain things.
My show is not all about the cerebral palsy, but it definitely comes from that point of view. I tried to do my show from a Southern belle point of view, but that didn't work quite right.
From a linguistic point of view, you can't really take much objection to the notion that a show is a show is a show.
One of the joys of this show [Dirk Gently's Holistic Detective Agency] is that each of those characters could be starring in their own show. It's only as the show goes on that you realize how they interconnect. They're all moving towards one another inexorably, to meet at a certain point.
There are definitely challenges that come with being the only woman in any room, and on a show like 'The Breakfast Club,' with strong opinions, it can be hard to get the guys to see things from my point of view.
It kills me to see people think that, show business is sex, drugs and rock and roll. And I have what you call a meet and greet. I do it before the show. But when I was doing it after the show especially, there would be people who would come back and said, OK, Smoke, where's the party?
One of the things I've learned - before I would go on a show, I was like, "Oh God, I hate that show" or "That show is gonna get canceled." But now after being full-time on a show, you see how difficult it is and how much work goes into it and how so many decisions are based on finances or people's schedules or talent or location issues. It's a miracle that anything gets made.
I knew sooner or later I would show my quality and show to everyone why I'm here, why Real made such an effort to bring me here.
A show can be artistically successful; a show can be financially successful; a show can be successful by the transformative experience the audience is having; a show can be successful from the point of view of what is experienced by the cast and the company on a daily basis.
I wouldn't want a film to be made on my life, because I suppose I would only want them to show all the good things about me and hide the awful things, and that wouldn't be a very honest biopic, no?
It's definitely one of those things when you decide to be an actor that it would be really cool to be in a Broadway show or a series regular on a hit show.
It 's amazing how Allah made the mind to the point where we almost alike me and you, we almost see the same. But we got different aspects of things. Certain things are what they call common sense. Allah made it like that meaning there's only one mind, be we all occupy it. Some of us dig into it a little deeper. Some of us are lazy on it. There's only one right and one wrong.
Why would I, in a million years, want to do anything even remotely having to do with child molestation on a children's show? See, I take having a kids' show real seriously. I think it's an enormous responsibility.
An older guy, he's going to show you things that a young man can't show you. He's going to show you how to stay alive. He's going to show you how to turn corners where your young friends will show you how to turn right into that wall, you know what I'm saying?
Why would you have a seven-hour show? The fans are going to be so tired halfway through the show.
Fake is not a word I like to use because there's nothing fake about what I do. It's a show, it's a predetermined outcome; we're putting on a television drama, action, comedy, whatever you want to call it - but it's not fake. Fake would be if I was just about to take a body slam, and my stuntman did it. Fake would be if I was going to take a chair shot to the head, and the chair was made of rubber. I'll tell the world that it's a show, but I hate the word fake. It's such an unfair term to us.
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