A Quote by Rana Daggubati
Hindi film industry makes film for the rest of the world. Tamil films are watched by Malay people. When a film is not bound by a language, why should an actor be?
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Art should not be bound by barriers or language. The Hindi film industry is a testament to that. We speak only Hindi, but we premiere in Germany and Japan. Our films do phenomenally well there. We transcend the barriers of language and culture. We welcome you in. I think that's what art should be, and I hope America reaches that place.
Tamil films have to be faster than a Malayalam film but not as fast as a Hindi film.
I guess people feel that if you're working with good directors and are known in the Hindi film industry, then you won't work in South films. However, I believe that films have no boundaries of language, religion, or cast. If it's a good script and a good director, I can do a film in Spanish as well.
I'm not avoiding the Tamil film industry because I'm making Hindi films. It's just that I'm extremely busy with Bollywood commitments.
I prefer the Telugu film industry, as women are respected more than they are in the Tamil film industry. In Tamil cinema, they care only about their hero, who is God.
I started with Tamil film, then Hindi. Now, I am also doing a Telugu film. The journey has been wonderful so far.
In school I was sidelined by Tamil language teachers. But in the film industry, I got interested in Tamil poetry after reading and working with the Vairamuthu.
Post-'Pellichoopulu,' I received a lot of offers from Tamil industry. I decided I won't do a Tamil film unless I know the language. If I want to do it, I wanted to do it perfectly.
I will not leave my South films for a Hindi film. I want to be sincere to my South film makers and commitments. Only if my dates are not clashing with any of my South films will I do Hindi films.
Whether the film is a Hindi film or in a South Indian language, I don't think it matters.
In Hindi film industry, the maximum one can do is try and make a film like 'Badhaai Ho' or 'Andhadhun,' but if I want to make something of the level of 'Kanchivaram' it is impossible. If I will make that kind a film, it will have no traction.
I am an actor and I don't have any language barrier. If I get a Tamil film, I will learn the language. It's not a problem.
Film festivals are a great vehicle for gaining an audience for your film, for exposure for the talent in the film and for the film makers to leverage opportunities for their films. I love the energy that film festivals bring.
I have never been someone who chooses a film according to the language. Since I am comfortable with Tamil, Kannada and Malayalam, the scope of the film is all that matters to me.
Even today, I'm not sure why I make films or what makes me want films. I think it's other people's films. Whenever I see a really great film, I think, 'I want to make a film like that.' And then I never do.
African films should be thought of as offering as many different points of view as the film of any other different continent. Nobody would say that French film is all European film, or Italian film is all European film. And in the same way that those places have different filmmakers that speak to different issues, all the countries in Africa have that too.
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