A Quote by Rana Daggubati
Over time, I decided to take up only those stories I love.
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Most stories in 'True Blood' take place over a short amount of time. I think the entire three seasons of the show have only spanned a month and a half of those characters' lives.
The desire for story is very, very deep in human beings. We are the only creature in the world that does this; we are the only creature that tells stories, and sometimes those are true stories and sometimes those are made up stories. Then there are the larger stories, the grand narratives that we live in, which are things like nation and family and clan and so on. Those stories are considered to be treated reverentially. They need to be part of the way in which we conduct the discourse of our lives and to prevent people from doing something very damaging to human nature.
When I'm making a movie, it's making use of my creative juices, and it fills me up with what really is - I think my purpose here is to tell stories. When I'm not, then I really have to learn how to live life and make use of the time properly. I'm not always great at making those decisions, but when it comes to working, my time is totally taken up. I have no option except to get up early in the morning and to work on that movie and to finish. But I take that with a pinch of salt, because I also love my time off.
Vietnam, we take over by doing pedicure! That's how we take over. We take over one foot at a time, damn it - that's the plan of attack right there. We take over from the toe up, that's the plan. We spread over USA like fungus from the toe.
I think we need stories, and we need to tell the stories over and over and over not only to remind us, but to be able to have that clarity of experience that changes us, so that we know who we are now because of who we have been at some other time.
I realized that they could take everything from me except my mind and my heart. They could not take those things. Those things I still had control over. And I decided not to give them away.
The thing I like so much about short stories is that there isn't as much of an investment of time so I'm free to experiment more. If it doesn't work out, I've only lost a week or two of work. If I screw up a novel I've lost at least a year's worth of work. But the nice thing is that those experiments with short stories can be carried over to novels when the experiments do work.
I think that has to do with my awareness that in a sense we all have a certain measure of responsibility to those who have made it possible for us to take advantage of the opportunities. The door is opened only so far. If some of us can squeeze through the crack of that door, then we owe it to those who have made those demands that the door be opened to use the knowledge or the skills that we acquire not only for ourselves but in the service of the community as well. This is something that I guess I decided a long time ago.
They keep coming up new all the time - things to perplex you, you know. You settle one question and there's another right after. There are so many things to be thought over and decided when you're beginning to grow up. It keeps me busy all the time thinking them over and deciding what's right. It's a serious thing to grow up, isn't it, Marilla?
I found out a long time ago that if I didn't have a good story for a song, I could just make one up! Now it seems over half the stories in my show are made up. The funny thing is, those seem to be the ones that resonate the most with the audiences.
Movie making is such a long process, and they only use that one take, although you do it over and over about 30 times. Live theatre is that one time and one time only.
We really spend a lot of time on building relationships. And so when everyone is like, 'How do you break so many stories?' it's because I build relationships. I do it the old-fashioned way, and I build sourcing relationships, and then I take advantage of those relationships over time.
Everything we know has come from stories that have been told over and over again as truth. Those stories turn into history.
It was Dec. 22, 1981. I figured I had messed up enough, and I decided to have a little faith and let God take over. It definitely straightened my act up in a hurry.
There are only really a few stories to tell in the end, and betrayal and the failure of love is one of those good stories to tell.
I love stories. When I'm writing, what I pretend subconsciously is that we're cavemen, we're sitting around the fire, and I'm telling you stories. If I bore you, you're probably going to pick up a big club and hit me over the head.
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