A Quote by Rana Daggubati

I always believe an actor is as good as the content as he gets or chooses. — © Rana Daggubati
I always believe an actor is as good as the content as he gets or chooses.
There's work for everybody, and I believe every actor gets what he/she deserves. Honestly, I just want to work as long as I can and do great films and act with every good actor around.
I believe that the brain has evolved over millions of years to be responsive to different kinds of content in the world. Language content, musical content, spatial content, numerical content, etc.
As an actor, you're always worried about getting stuck on a show that's not good because working actors need the paycheck. So being cast on a regular procedural, where everything gets wrapped up by the end of the episode, was always a fear of mine because that doesn't really test you as an actor.
I am always content with what happens; for I know that what God chooses is better than what I choose.
It is always good to be cast in films with good stories and content, made by such amazing banners and directors. For an actor it's a task to work in films like these.
A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.
I've always believed that it's the film that chooses the actor and not the other way round.
Writers and filmakers, that is, people who describe the world, suffer from an occupational disease. They never experience moments in life quite spontaneously. You always look at yourself from the outside. Even as a child I always observed myself and the world. I believe that everyone who chooses this path in any way, who chooses to be a describer of life, suffers from this condition. It's like a mental obsession. It can be a great pity too. It robs you of a certain joy in spontaneity.
I've never trained as an actor. I've always thought I'm not a good actor. I've been told I'm not a good actor by a lot of people.
I always tell people, good coaches are a dime a dozen. Good coaches that are good people, good husbands, good fathers, that love their players and are passionate about doing things in a way that I believe is important, that pool gets real small.
There are many interactions that an actor like me has in public when he gets recognized. The best are 'You're a great actor, good work,' and move on. A very good interaction could be when they say 'You were awesome on 'The West Wing,' 'Loved 'In Her Shoes,' great movie,' 'What Women Want,' good job dude.'
There are many interactions that an actor like me has in public when he gets recognized. The best are 'You're a great actor, good work,' and move on. A very good interaction could be when they say 'You were awesome on 'The West Wing,'' 'Loved 'In Her Shoes,' great movie,' ''What Women Want,' good job dude.
It's a terrible mistake when it gets to be a contest of egos. The actor is always going to win. If a director gets into a control situation and is overbearing, it's deadly.
Even if you are a superstar, you have to give your audience some content. Because there is so much good content out there that people consume today. To sustain this, you have to nurture good content and writers.
When an actor comes to you and starts working with the script, the image of his character that you had in your mind gets substituted with an image of that particular actor. And this is the right way to go. An actor has to be absolutely truthful - this is the only thing required of him, apart from talent of course. It's very easy to understand: you need to absolutely believe in what you see.
As an actor, I have always believed that content is the kin,g and I have always put my neck on the line to choose cinema that is off the beaten track.
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