A Quote by Rand Paul
I think when we think about the judgment of someone who might want World War III, we might think about someone who might shut down a bridge because they don't like their friends.
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But I think writing should be a bit of a struggle. We're not writing things that are going to change the world in big ways. We're writing things that might make people think about people a little bit, but we're not that important. I think a lot of writers think we are incredibly important. I don't feel like that about my fiction. I feel like it's quite a selfish thing at heart. I want to tell a story. I want someone to listen to me. And I love that, but I don't think I deserve the moon on a stick because I do that.
I think if I were a college professor, no one would say I was uncomfortable about being shy because that might be expected. But I think because of people's stereotypes, they think of a football player as someone who is very outgoing and I'm not.
I grew up with the idea that someone might hate you if they knew what religion you were; being afraid to open my mouth because my accent might make people think something about me. Or even if they didn't, would they understand me?
It might be a bad thing to be first , if you stop and think about it. It might be better to be second or third because then you can enjoy it and disappear - return to the society you came out of without someone always poking you in the side and saying you were first.
If I hadn't spent a big chunk of time in academia I might not have the depth of consciousness I do about ideas like that. I might think, for instance, that Freud was no big deal in terms of the shape of social organization then or now. I might think that the discourses of politics and law are real and stable and fair.
I think that the Almighty gave springtime to a tired world so that its peoples might know rest. I think that He gave it to a troubled world so that the world's inhabitants might find peace. I think He gave it to a discouraged world so that hope and faith might be reborn!
The best critics do not worry about what the author might think. That would be like a detective worrying about what a suspect might think. Instead, they treat the reader as an intelligent friend, and describe the book as honestly, and as entertainingly, as possible.
Someone who didn't do comedy might think it was awful to have someone talking about you. But I just love the attention, even if I'm not there.
I frequently counsel people who are getting frustrated about an edit war to think about someone who lives without clean drinking water, without any proper means of education, and how our work might someday help that person. It puts flamewars into some perspective, I think.
I don't know what they're thinking about. Just because someone says, 'I like what you do' or something: They might like it today and tomorrow they might not. I've had that experience with record companies.
When I design, I think about the desire someone might have for it and why. I want them to fall in love with it.
I don't think of myself as a fast reader. I just read a lot. When someone else might think, 'I might do the dishes,' I don't. But then the dishes multiply.
I think it's good to have a balance. Everything I write about, it's not something I necessarily might have went through, there's songs where I might have an idea, sometimes it might be a melody or something that I like, I make up a story to go with that melody. But I do think it's most important to have honest songs.
Grief does not seem to me to be a choice. Whether or not you think grief has value, you will lose what matters to you. The world will break your heart. So I think we’d better look at what grief might offer us. It’s like what Rilke says about self-doubt: it is not going to go away, and therefore you need to think about how it might become your ally.
While driving to work, I'll choose to think about a particular subject rather than just have random thought streams landing on one subject or another. For example, I might think about the structure of an opinion. Or I might think about the first sentence of an opinion, refining it.
I think people might think, oh, I don't want to approach the big famous author because it's embarrassing, but then they think for two seconds about it and realize, this is, like, a toilet bowl reader.
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