A Quote by Randa Abdel-Fattah
You should take notes whenever you hear interesting or original language.
Related Quotes
It's been a dream of mine to play in the NFL, so whenever I hear my name being talked about in someone's mock draft or whether or not he should stay or go, it's always interesting to listen to, but at the same time, I don't take it for granted.
Whenever I hear somebody cover a song, I don't like to hear it stray too far from the original. I like to hear some of the new energy that a band will put into it, but you kind of want to hear some of the basic parts of the song. I mean, that's what makes it the song that you like.
I think whenever you're around Kanye, you gotta take notes. The advice is taking notes, because everything he does and everything he says is very detailed and very up front. He's always one hundred what he says.
I think whenever you're around Kanye [West], you gotta take notes. The advice is taking notes, because everything he does and everything he says is very detailed and very up front. He's always one hundred what he says.
I feel like the great filmmakers who have a true voice, yeah they take the notes, they understand the notes, but it's really about the notes underneath the notes. When you do a test screening and somebody says, 'Well, I didn't like the love story,' but it was probably just too long.
The way 'Lux' was made is that there are 12 sections in here, though two of them are joined together. So there are really 11 sections, in a sense, and each one uses five notes out of a palette of seven notes, and my palette is all the white notes on the piano. That was the original palette.
There are seven notes - Sa Re Ga Ma Pa Dha Ni no one is original in the world. We have to play around the notes and make our own stuff.
Latinos are learning English. That doesn't mean that they should sacrifice their original language or that they should give up this in-betweeness that is Spanglish.
Whenever the C++ language designers had two competing ideas as to how they should solve some problem, they said, "OK, we'll do them both". So the language is too baroque for my taste.
In the best possible scenario, whenever you get notes from people, they're good notes, and they see things that you wouldn't have seen otherwise, and they make you a better writer.
Whenever I get an idea for a song, even before jotting down the notes, I can hear it in the orchestra, I can smell it in the scenery, I can see the kind of actor who will sing it, and I am aware of an audience listening to it.
They say an elephant never forgets. Well, you are not an elephant. Take notes, constantly. Save interesting thoughts, quotations, films, technologies…the medium doesn't matter, so long as it inspires you. When you're stumped, go to your notes like a wizard to his spellbook. Mash those thoughts together. Extend them in every direction until they meet.
With music, you can create instant trust with an audience. You can hear three notes, and you surrender to it, whereas it takes you about ten minutes of language before people begin to trust you in a play.
I've been poked fun of throughout my career by fellow actors for my notes that I take. I have spiral notebooks that I carry with me on every project I do, and I take notes just so that if I have to relive a scene, if I have to go back, I know what I did.
The language of all the interpretations, the translations, of the Judaic Bible and the Christian Bible, is musical, just wonderful. I read the Bible to myself; I'll take any translation, any edition, and read it aloud, just to hear the language, hear the rhythm, and remind myself how beautiful English is.
Music is a gestalt. Songs are a life force and they have specific vocabulary to them. You hear a few notes, and they take you into a world of association.
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