A Quote by Randall Jarrell
The safest way to avoid the world is through art; and the safest way to be linked to the world is through art.
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I'm afraid we get a great deal of our exposure to art through magazines and through slides and I think this is dreadful, this is anti-art because art is direct experience with something in the world and photography is just a rumor, a kind of pornography of art.
To me, success is making a positive difference through art - making art that affects the world and that changes the way people feel about themselves and the world.
Living through art is a better way to live - not necessarily making art, but being surrounded by art. I think it's just as banal as trying to show my version of the beauty in the world. It's about beauty at the end of the day.
I think…to give. In the best way I can, through song and through dance and through music. I mean, I am committed to my art. I believe that all art has as its ultimate goal the union between the material and the spiritual, the human and the divine. I believe that to be the reason for the very existence of art. And I feel I was chosen as an instrument to just give music and love and harmony to the world. To children of all ages, and adults and teenagers.... I love people of all races from my heart, with true affection.
I associate a family as the safest place in the world. So when it comes to things that scare me, introducing instability and tension into where you're supposed to be the safest really strikes a chord with me.
I believe there is magic everywhere. From the way art takes form from an idea and can be shared, to the way we love, to the way the world creates what we need to survive and that through all that, that we are part of a universe that is bigger than we could imagine. That's magical.
The only way art lives is through the experience of the observer. The reality of art begins with the eyes of the beholder, through imagination, invention and confrontation.
The basic project of art is always to make the world whole and comprehensible, to restore it to us in all its glory and its occasional nastiness, not through argument but through feeling, and then to close the gap between you and everything that is not you, and in this way pass from feeling to meaning. It's not something that committees can do. It's not a task achieved by groups or by movements. It's done by individuals, each person mediating in some way between a sense of history and an experience of the world.
I think art must be tough! I think art has to be hard. I don't think it should be easy. I think it should take foot-pounds of energy to produce that art, otherwise we would have more mediocre writers, and we don't have room for any more mediocrity in the world. There's already enough of it being visited on us night and day through the Internet, and through television, and through politics.
You want to make entertainment sometimes, and sometimes you want to make art, because I think the way we understand ourselves as human beings is through art, and the way we process emotions - I know I do - is through recognizing experiences on screen or in novels or in paintings.
You want to make entertainment sometimes, and sometimes you want to make art, because I think the way we understand ourselves as human beings is through art, and the way we process emotions - I know I do - is through recognizing experiences on screen, or in novels, or in paintings.
After high school I went to the San Francisco Art Institute, and I began a formalized art education where we went through the history of art but we also went through the art of my contemporaries.
There's this great kind of spooky dance that happens that I can't access any other way. I think most of us are given kind of one pathway to that dance, and that's why I'm a writer. It's the only way I can get there. I can't do it through art, I can't do it through singing, I can't do it through mothering, I can't do it through invention.
It is only through Art and through Art only that we can realize our perfection; Through Art and art only that we can shield ourselves from the sordid perils of actual existence.
I've come up through art school, through painting, through graphic design, through advertising, through TV commercials and music video. I've designed books, built billboards, matchbooks, corporate identities. I continuously paint, I've done conceptual art pictures.
We are probably the only artists in the world who have a 2,000-page book on a work of art that doesn't exist. But in this way, these projects reveal their identity through this whole process. When I'm starting, I only have the slightest idea of how the work of art will exist.
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