A Quote by Randall Park

When you write a memoir, and it's your life, and you're exposing things that are close to home, it's hard to see it changed. — © Randall Park
When you write a memoir, and it's your life, and you're exposing things that are close to home, it's hard to see it changed.
To write a good memoir you must become the editor of your own life, imposing on an untidy sprawl of half-remembered events a narrative shape and an organizing idea. Memoir is the art of inventing the truth.
The character of the landscape changes from hour to hour, day to day, season to season. Nothing of the earth can be taken for granted; you feel that Creation is going on in your sight. You see things in the high air that you do not see farther down in the lowlands. In the high country all objects bear upon you, and you touch hard upon the earth. From my home I can see the huge, billowing clouds; they draw close upon me and merge with my life.
A memoir forces me to stop and remember carefully. It is an exercise in truth. In a memoir, I look at myself, my life, and the people I love the most in the mirror of the blank screen. In a memoir, feelings are more important than facts, and to write honestly, I have to confront my demons.
When you write a song, the goal is not to convey the details of your life. You should write a memoir or something if that's what you're going to do.
It wasn't the Medal of Honor that changed my life. It was being in Vietnam itself. The close situations changed my whole way of thinking about my life. It showed me that things can disappear like the snap of your fingers. As a young guy you thought you were invincible and nothing could ever hurt you, and stuff like that, and living life to the fullest.
Your television has changed, your phone has changed. Why don't these other things you need, that the government tells you you must have in your home, change?
Remember that the writing itself is good for you. If your story is so close to home that you are afraid to write it, it probably means you need to write it.
I have no sense of a model or predecessor when I write a memoir: For me, the form exists as a method of processing material that retains too many connections to life to be approached strictly and aesthetically. A memoir is a risk, a one-off, a bastard child.
We just try to write about things that are close to our hearts. We don't sit around trying to write another 'Free Bird' or 'Sweet Home Alabama.'
I have always distrusted memoir. I tend to write my memoirs through my fiction. It's easier to get to the truth by not claiming that you are speaking it. Some things can be said in fiction that can never be said in memoir.
The difference between memoir and autobiography, as far as I see it, is that a memoir is there primarily to tell one particular story, whereas an autobiography tries to be a full account of a life.
When it was suggested that I write a memoir I said, 'I'm not old enough. I'm not distinguished enough.' But I went home and sat down to write, and the material for the book just came flooding into my hands.
I'm making a kind of a memoir of certain aspects and times in my life. Now that I'm older I can look back and analyze some things, and see the root of things.
I would be so mad if I saw something called a memoir, and then it was Mike Birbiglia. It would be so infuriating. It's like, 'Who is this guy, and why does he have a memoir?' David Letterman could write a memoir. Joan Rivers could. I'm just a nobody. I'm a comedian and a writer.
I see so many bands, that are trying really hard to write for a person that they've never met. I get the idea behind it and the idea of helping people, but I feel you help people more by exposing yourself.
'Khoobsurat' introduced me to this huge, amazing audience so close to my home. In a lot of ways, it has changed my life, but the game keeps changing.
This site uses cookies to ensure you get the best experience. More info...
Got it!