A Quote by Randall Park

I majored in English with a specialization in creative writing along with Asian American Studies. — © Randall Park
I majored in English with a specialization in creative writing along with Asian American Studies.
I have taught Philosophy, Religious Studies, English Literature, Cultural Studies, Writing and Publishing Studies, Critical Thinking.
The methodologies of examining hip hop are borrowed from sociology, politics, religion, economics, urban studies, journalism, communications theory, American studies, transatlantic studies, black studies, history, musicology, comparative literature, English, linguistics, and other disciplines.
I majored in English in college and that was my major in graduate school before switching to creative writing. I read a lot of [Charles] Dickens and [Anthony ] Trollope, but there was lots of stuff I hadn't read like Thackeray's "Vanity Fair," which is so well written and funny.
Actually, I've taught creative writing in Turkey, at an English language university, where the students were native Turkish speakers, but they were writing their essays in English, and they were very interesting - even the sense of structure, the conventions of writing, the different styles of writing.
I always felt that just being an actor is difficult. Being an Asian-American actor doesn't make it more difficult. I see it as an opportunity and a chance to help other Asian-American actors coming along.
It's very difficult to be asking other people for opportunities. It is much more empowering to be creating opportunities, to be the one who is saying, 'Look, I'm going to take this from the ground up and create a story that is meaningful to me as an Asian American and cast it with Asian Americans and have Asian Americans writing it.'
Does people not asking me about Asian American literature mean they don't see it as its own literary tradition? I certainly believe in it as its own literary tradition, because your race plays a great factor in how you are seen by the world, and how you see the world; the fact that I'm an Asian American isn't incidental to who I am as a writer. Where it becomes difficult is defining what, if anything identifiable at all, makes an Asian American book an Asian American book, other than the fact of its creator being Asian. And I'd argue that there is nothing identifiable beyond that.
We're at an interesting phase of Asian and Asian-American writing, where we might succeed in having readers look at us as creative individuals who write with fury and fire about the world, and in new ways, without having them say things like "I read a really good Indian book," or "That Malaysian fellow writes very well." So I hope by identifying as Indian I can get people who don't usually read "ethnic" or "Indian" literature to read that literature and enjoy it.
I went to Gettysburg College, where the famous Civil War battle was fought. I majored in English. I would've liked to major in writing, but they didn't offer a major in that.
The main insight learned from interdisciplinary studies is the return to specialization
Even if you look at 'American Idol,' or 'X-Factor,' or 'The Voice' or anything, it was always difficult to see an Asian or an Asian-American make it to a certain point.
I have no intention of ever writing beauty tips on how to make an African-American nose look slimmer or Asian eyes look bigger. That's degrading. Asian eyes are what's beautiful about you and what makes you different.
I double-majored in Political Studies and Theatre & Performance.
When I was growing up, Asians were so few and far between as to be almost invisible. And so the idea of an Asian American movement or an Asian American thrust in this country was unthinkable.
Throughout most of my life, I've tried to downplay my Chinese heritage because I wanted so much to be an American. I was the only Asian kid in my elementary school, and I longed to be like everyone else. I insisted on American food; I was embarrassed by my mother's poor English.
For decades, as literary editor, I have followed the growth of our creative writing in English. In my Solidaridad Bookshop, half of my stock consists of Filipino books written in English and in the native languages.
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