A Quote by Randall Park

Danny Chung in 'Veep' is a really unique, very anti-stereotypical role for an Asian-American actor, and being able to play that has been super fun. — © Randall Park
Danny Chung in 'Veep' is a really unique, very anti-stereotypical role for an Asian-American actor, and being able to play that has been super fun.
There aren't as many roles, and I think there's a lack of openness in casting an Asian character in a leading role or unless they're a stereotype. It's been hard. I've been able to play some non-stereotypical roles, which is great, but I have a lot of Asian actor friends who are struggling.
To be honest, at that point, just being so fresh to L.A., I was in the mind-set of just getting work, at all costs. But, if you take a step back from it, it's just such a blessing to be able to play somebody like Glenn. Me being Asian American, it's nice to have something to play that's not so very stereotypical. It's also nice to have somebody that I identify with.
Because I sidestepped all the stereotypical roles, in a way I've made a career out of not being Asian - a lot of my roles weren't written as Asian - so there's an impulse in me that wants to take a U-turn and play a very grounded, real Asian character, maybe an immigrant.
I always felt that just being an actor is difficult. Being an Asian-American actor doesn't make it more difficult. I see it as an opportunity and a chance to help other Asian-American actors coming along.
Being Latino and being an actor has been a unique struggle and opportunity. When you don't fit into what may be a more stereotypical vision of somebody whose name is Pedro is, it can be a little bit harder to navigate.
I really want to do what 'Veep' did. 'Veep,' in a very comical way, gave us a look inside the political machine, but I want to do it for the average American family.
There were so few examples of Asian or Asian-American lead characters on American TV or even in the movies. And the ones that have existed for so long were either stereotypical or offensive in some way, or just not reflective of the lives of people in the community.
It is challenging and hard not to accept all stereotypical roles that get thrown your way. For me, I've been really, really lucky because I have been able to play a lot of different parts.
I've been blessed because every single role I've done has been an educated person. I've never done the stereotypical Latina, even though I have an accent - I've always been able to play educated people. That's a good thing!
Over the years, my marks on paper have landed me in all sorts of courts and controversies - I have been comprehensively labelled; anti-this and anti-that, anti-social, anti-football, anti-woman, anti-gay, anti-Semitic, anti-science, anti-republican, anti-American, anti-Australian - to recall just an armful of the antis.
I have a theory about American men -- I think they think women are boys who don't know how to throw a ball very well. American women are forced into the role of being men without penises, of being men who haven't quite been able to make it. If women don't want to be pussycats, then they get forced into the role of being almost as good as men. Which is lousy.
I'm trying to break the stereotypical role now of the Theo-type character because, in my post-'Cosby' life, as I call it, I don't want to be known as just the kind of guy who can play a Theo Huxtable-type character. I want to be known as being able to do more things, being able to stretch.
It's gratifying that people are watching that [Veep] intently and that hard. So it's been really nice and it's been really fun.
I'd like to see more Asian-American roles where the ethnicity of the character can be swapped to another. We can, of course, play the stereotypical ninja, the martial arts master, the accountant, the doctor, but we can be more than that!
I think it's being able to do both, obviously being able to play your role in the team and those responsibilities but also being able to have that freedom... to express yourself in the way that you play.
Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
This site uses cookies to ensure you get the best experience. More info...
Got it!