A Quote by Rande Gerber

Around 16 I began going out with friends to the city. That's where the action was. We would go to this place on Times Square - real shifty - and get fake IDs made up. — © Rande Gerber
Around 16 I began going out with friends to the city. That's where the action was. We would go to this place on Times Square - real shifty - and get fake IDs made up.
You know why I love Chicago? Because this is just like Baltimore. Like, you can't go to Baltimore and be fake. They gonna point you right out, like, "Nah, you fake, go ahead outta here." They're going to chew you up and spit you out if you're fake. And if you come to Chicago, you can't be fake, in terms of the love and the concern. You gotta be real. Your good intentions - people want to feel that. We don't get enough of that.
I have great memories of the old Times Square - wouldn't have missed being here to see that place for the world - but I can also deal with the new Times Square in the overall scheme of N.Y. City 2010.
Fake is not a word I like to use because there's nothing fake about what I do. It's a show, it's a predetermined outcome; we're putting on a television drama, action, comedy, whatever you want to call it - but it's not fake. Fake would be if I was just about to take a body slam, and my stuntman did it. Fake would be if I was going to take a chair shot to the head, and the chair was made of rubber. I'll tell the world that it's a show, but I hate the word fake. It's such an unfair term to us.
There are times when I will dress up, like tonight for the premiere, but there are times when it doesn't matter. It's not that I think it's fake, but I'm not going to go out of my way to be something that I'm not.
Security here in New York City is still very tight. Hookers in Times Square now are demanding two forms of fake ID.
When I was growing up in New Jersey, my mom would regularly take my sister and I into the city to see shows. I have many fond memories of standing in the half-price ticket line in Times Square and going to matinees.
I'm never sad when a friend goes far away, because whichever city or country that friend goes to, they turn the place friendly. They turn a suspicious-looking name on the map into a place where a welcome can be found. Maybe the friend will talk about you sometimes, to other friends that live around him, and then that's almost as good as being there yourself. You're in several places at once! In fact, my daughter, I would even go so far as to say that the further away your friends, and the more spread out they are the better your chances of going safely through the world.
Depending on what's happening in the world, what music is coming out, what city I'm in, I do some research on a place I'm going to, get a feel for it, and maybe do something that would be special for that city.
I am a middle-aged opera queen in loafers that makes out I am a 16 year old death metal skater... It's all fake! My hair is fake, my body is fake and my teeth are kind of fake
I actually didn't get to go to my prom. I left high school when I was 16 to join 'NSYNC. I felt that was something I always missed out on, and all my friends got to go and would tell me about it.
For people who mourn for old Times Square - hey, there's a ton of places in the city still like that! Get on the train and go visit them!
I have just been to a city in the West, a city full of poets, a city they have made safe for poets. The whole city is so lovely that you do not have to write it up to make it poetry; it is ready-made for you. But, I don't know - the poetry written in that city might not seem like poetry if read outside of the city. It would be like the jokes made when you were drunk; you have to get drunk again to appreciate them.
Everywhere I go, I feel the city out. I walk around and get there early, and I go off the cuff with whatever's going on in town.
When I would go into Madison Square Garden, I wasn't the most popular guy. Madison Square Garden, there's 16,000 Puerto Ricans with knives and great radios and stuff.
The world of art, I have suggested, is full of fakes. Fake originality, fake emotion and the fake expertise of the critics - these are all around us and in such abundance that we hardly know where to look for the real thing. Or perhaps there is no real thing?
There were times I felt I'd never get my life back. Am I ever going to be normal and go out with my friends and have a beer and not think I am going to wake up at 3 A. M. and have anxious thoughts about what normal people are doing?
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