A Quote by Randeep Hooda

Approaching people for work has not worked for me. People who came to me with work has worked. — © Randeep Hooda
Approaching people for work has not worked for me. People who came to me with work has worked.
I would still work with Mel Gibson! He's talented, man! Come on, he came up with 'Apocalypto,' man! I want to work with this guy. I've worked with Steven Seagal. He's out of his mind. I mean, I've worked with Spike Lee for four films. I've worked with some people that you can say are right there teetering between genius and madness.
I went to art school... but I worked at the Museum of Modern Art. I worked in fundraising at the information membership desk. I ended up, over a period of time, doubling the amount of membership revenue that came in through people entering the museum, so people would ask me to come and work for them.
People support me because they know me. They know my life's work. They have worked with me and many have also worked with Senator [Bernie] Sanders. And at the end of the day they endorse me because they know I can get things done.
Practically everybody I've ever worked with, I'd like to work with again. I had a great time with the people that I've worked with, and the directors, and a lot of the casts. There's really nobody where you'd say, "Oh, I got X, Y, and zed again! Gahhh, no!" It really brings a smile to my face, because in 95 percent of the cases, people I've worked with, I'd be thrilled to work with again.
Of course it's always easy when you work with people that worked together, or you work with people that you worked with before, because you develop over years some sort of shorthand of communion that is always very valuable.
Anyone who has been with me from the beginning has worked from the trenches with me and they've worked really hard. People that I have brought in where I am now, they haven't worked the way that we have, they haven't lost the sleep, and you know, the blood, sweat, and tears.
I wouldn't say I worked with these people because I was looking for a particular vocal sound. I worked with them because I loved what they had done before-and because they really wanted to work with me.
I worked in a steel mill, I worked in a foundry, I worked in a paper mill, I worked in a chemical refinery, construction, I did all that. It was great work, it was good. I learned welding, mechanic, carpentry, but it saved me from going back to prison because that's helpful. It's really sad because those jobs are gone.
I went back to Jamaica after living in New York and started to work on experimental stuff and basically I grew as a filmmaker. I went to film school; I was a PA on a lot of projects and I worked so hard, you know, you're young and I learned from different mentors. And luck put me in the position to work with amazing people. One of my mentors by the name of Little X, who took me under his wing after I came out of film school and moved to New York. I worked in videos for Jay-Z, Pharrell to Busta Rhymes and Wyclef. I quickly realized how much I wanted to make films instead of music videos.
On a personal level, just for me in my own work, I would say the most interesting thing has been getting to work with the people that I've worked with.
You can ask anybody who's ever worked for me or worked with me, who's ever served with me, when I tell you I'm going to try to do something, I will get up every single day and work my heart out for you.
I can't honestly say where the inspiration for my work came from. I think it came from reading. It came from texts, from Nietzsche, Schopenhauer, it came from, you know, Jean-Paul Sartre. These are the ideas that got me worked up and inspired. It wasn't so much the visual things that inspired me. Although, of course, there were plenty of painters in history that I admired all the way from Brueghel to Goya, to Picasso - because everything visual stimulates me.
I always thought that Bill Murray was one of the great actors that I've worked with. And I've worked with all kinds of people who are known primarily for their dramatic work.
We look back at the 1990 Clean Air Act amendments, where people screamed and hollered it's going to be too expensive, they couldn't afford it, and it wouldn't work. And it worked. It worked faster than people expected, at much less cost.
Now I usually try not to give advice. Information, yes, advice, no. But, what has worked for me may not work for you. Well, take for instance what has worked for me. Wigs. Tight clothes. Push up bras.
I wanted to meet Orson Welles. So I was like, whatever, somehow get me in on this. I'm able to get cast in it, but Orson Welles worked alone. He worked before all of us worked. He didn't want to work with anyone else.
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