A Quote by Randy Bachman

With The Guess Who, it took us fifty-something singles before we had hits. — © Randy Bachman
With The Guess Who, it took us fifty-something singles before we had hits.
You had to go to a different part of town from where I was to get Muddy Waters singles. I had him on singles.
There were a lot of songs during my MCA years that I thought should have been singles but were not. You can't worry about what wasn't - I was very lucky to have as many hits as I had.
People want to know why the South is so interested in the Civil War. I had maybe, it's a rough guess, about fifty fistfights in my life. Out of those fifty fistfights, the ones that I had the most vivid memory of were the ones I lost. I think that's one reason why the South remembers the war more than the North does.
I always had problems with making singles because I'm not a singles type of guy. I never needed radio to blow me up. I'm a street legend.
I guess if I had fifty million dollars I could spend more time at home.
And sometimes, when the stars are kind, we read with an intake of breath, with a shudder, as if someone or something had 'walked over our grave,' as if a memory had suddenly been rescued from a place deep within us - the recognition of something we never knew was there, or of something we vaguely felt as a flicker or a shadow, whose ghostly form rises and passes back into us before we can see what it is, leaving us older and wiser.
I want a drink. I want fifty drinks. I want a bottle of the purest, strongest, most destructive, most poisonous alcohol on Earth. I want fifty bottles of it. I want crack, dirty and yellow and filled with formaldehyde. I want a pile of powder meth, five hundred hits of acid, a garbage bag full of mushrooms, a tube of glue bigger than a truck, a pool of gas large enough to drown in. I want something anything whatever however as much as I can.
I do love listening to singles casually, but that moment, the thing I'm mining the singles for, is something that makes me dig deeper and find a layered offering that allows for discovery after discovery.
Going from The Shield to singles competition, it wasn't a really big transition for me. Before we were The Shield, we were all singles wrestlers. And we were wrestling a bunch of guys all the time down in developmental.
After 'Sports' came out in the fall of 1983, everything changed for me. Four of the album's singles became top-10 hits, and by the end of June in 1984, the album was No. 1 on the Billboard chart. It was quite a ride, and for the first time I had enough money to live the way I wanted.
We wanna be on the frontlines of everything new and exciting. The old world order of putting out four singles before you release an album is so boring to us.
Taking the money from drug operations and all that sort of stuff is something that goes past what most of us in society would expect a policeman should do. That temptation hits the police force at the same time as the temptation to take those drugs that are readily available hits the people on the streets.
I've never been the big recording star I'd love to be some day. I've had lots of hits off and on through the years but I've never had the success of other artists - one hit after another back-to-back-to-back and big hits, where every song is going to be number one. I'm not greedy or nothing. I just want everything. Is there something wrong with that?
Greaseball, greaseball, greaseball, that's all I throw him (Rod Carew), and he still hits them. He's the only player in baseball who consistently hits my grease. He sees the ball so well, I guess he can pick out the dry side.
What happened was I was a songwriter on Quincy Jones' publishing company, Qwest, for two and a half years before I gave him the song for Michael Jackson. He had a meeting with the songwriters. I think there were about six of us on the West Coast and we all had a meeting at his house where he sort of gave us an outline of what he wanted. To finish this BAD album Jones needed one more song to round out the album. I took notes and then I then took my notes to my writing partner Glen Ballard.
Since 'Houston Kid,' I've got a pretty good track record. Before that, I wrote some hit songs, but I didn't come into my own until I was about fifty. Before that, I had bursts of talent.
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