A Quote by Randy Houser
Any of the rewards or accolades or any of that are very nice and everything but the music is what saves me. And it did. I would write my way out of any kind of depressing period.
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We met because Chad was in one of my classes, and I was looking for someone to write music with. I knew that he wrote his own music, and he seemed nice, so I found out he was going to be in a practice room, practicing his trumpet. He'd already said he was too busy to hang out or hear any new people or work on any music, so I stalked him.
I find it very difficult not to write in any sort of Sudanese style. With Sudanese music, there are very specific things that happen with the syncopation of the drums, melodies and stuff. And whenever I write, that's always the first thing that comes out, because I grew up listening to it. It's a part of me, so I try to bring that out in the music. I think that you have to be honest with what you do, and that's the most honest thing that I can do, is to write that way.
When I was a kid, I liked the newer music that was coming out. I have never really felt confined by any style of music. I would play in bands that were soul bands or that played standards - any kind of music that I enjoyed playing.
As an artist you are free to use any image, any style, any idea from any culture and any period of history.
At the very beginning, I was a page at Letterman, and I freelanced for any place that would let me write any word. I wanted to do this so badly.
The internet has a way of mainstreaming everything. Any artist, any musician, any sexual kink, any political view point, it's all there.
I would never do anything that would harm me, and I am totally against using any kind of resource, illicitly, to benefit myself in any way.
What kind of religion is it that would encourage the parent to shelter the child from any outside influences and punish it by putting it out in a world you never had any way of learning about?
Indiana Jones is very much an old-world kind of hero. He doesn't really have any kind of superpower or rely on any kind of technology to help him out of things.
At a certain point, I started playing improvised music. After a couple of years of this, I did a little bit of analysis and found most improvised music the kind I was listening to at least, which was mainly European to be as, if not more, formulaic than any other kind of music. For example, improvised pieces would often begin and end in the same way.
At the very beginning, I was a page at Letterman, and I freelanced for any place that would let me write any word. I wanted to do this so badly. Then when I got a tiny bit of success, I was petrified that I was going to lose it.
I don't have any outside view of myself, and if I did, I would probably be creatively inhibited. I just write in the way that I write.
When you're out there trying to still figure things out, it can just slow things down. So you have to kind of think on your feet, and it makes it kind of fun and exciting and challenging at the same time. But more time is always better for any movie. I think any director would probably tell you that. Any filmmaker, really.
The way to write American music is simple. All you have to do is be an American and then write any kind of music you wish.
I always knew I wanted to do music, but it took me a long time to figure out how to exactly do that. With my first record deal, everything kinda fell apart. I wasn't ready for it, I didn't know how to handle the business side at all. I thought as soon as I got a record deal, everything would fall into place and I wouldn't have to really do any work anymore. I could just make music, and be successful. Well that was not the case and everything fell apart for a period of time.
I am never much interested in the effects of what I write....I seldom read with any attention the reviews of my...books. Two times out of three I know something about the reviewer, and in very few cases have I any respect for his judgments. Thus his praise, if he praises me, leaves me unmoved. I can't recall any review that has even influenced me in the slightest. I live in sort of a vacuum, and I suspect that most other writers do, too. It is hard to imagine one of the great ones paying any serious attention to contemporary opinion.
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