A Quote by Randy Johnson

I listened to all types of music, and obviously when I got to Seattle I was very much aware of the music scene there. — © Randy Johnson
I listened to all types of music, and obviously when I got to Seattle I was very much aware of the music scene there.
I feel like I have a lot of rhythm because I'm from the DMV. Because you got so many different types of music: Baltimore Club music, Go-Go, then you got the DMV rap music scene, then you got the DMV R&B music scene. It's a lot of music and it's a lot of taste that caters to most.
The biggest lesson to me is that I got the music from somewhere else - the notes, the music my parents listened to, and the stuff I listened to at every age. All of that inspired the music that I made.
Growing up, I listened and was influenced by a lot of those around me. I have a big family, and my dad listened to '80s music, my mom listened to Motown, my brother listened to reggae, and my granddad was the one that got me into jazz and swing music.
I felt very proud to be part of a music scene that was changing the face of commercial music and rock music internationally, but I also felt like it was necessary for Soundgarden - as it was for all of these Seattle bands - to prove that we deserve to be on an international stage, and we weren't just part of a fad that was based on geography.
Seattle very much benefited from this geography where it was a town nobody had really heard of in terms of a music scene. So we had that factor of being a new discovery.
When I look at music, everything is blurred, and I like it that way. I grew up like that, hanging out with different types of people who listened to so many different types of music. I never wanted to be part of any one clique. I loved it all.
I've always been a fan of music. I listened to a whole lot of oldies - I never really listened to rap music that much.
I love all types of music - jazz, great pop music, world music and folk music - but the music I listen to most is piano music from the 18th, 19th and 20th century. Russian music in particular.
I used to say that I was making "country music," because it was the quickest, easiest answer. I'm obviously heavily influenced by country music. There was a three-year stint in my life where I listened to nothing else, so, I learned it very well.
I didn't have musical upbringing. I never listened to music growing up, thinking "I want to make my own music". I just listened to music for pleasure.
I'm from Louisiana, and that's where I got my start, in Cajun music. There's a huge music scene down there centered around our culture. Those are people that are not making music for a living. They are making music for the fun of it. And I think that's the best way I could have been introduced to music.
Banjos are used in Celtic, English folk music and obviously American music. But not that much in pop music. But it's more versatile than people realise it to be. It's a beautiful instrument, very rhythmic and melodic. You can do anything with it.
I got so much love for classical music and I hear so much incredible music.You should know a bunch of music and have respect for all sorts of genres and styles of music.
Obviously the music I listened to growing up helped create my musical pallet. My parents were into pop, soul, disco, RNB, Latin, jazz and Middle Eastern music.
I have found myself deeply, deeply intrigued by the ska-punk scene. It's such an expressive form of popular music, it's so real, it's got so much life: it's the most vital music in the world.
We [with Nimai Larson] listened to hardly any music except Hare Krishna music growing up and the occasional Garth Brooks that our babysitter would play for us. From a very early age, we looked at music as mantra based, very cyclical, and having no linear time.
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