A Quote by Randy Newman

If you have a kid and you try irony out on them, they don't get it at 7, 8 years old. You can't really hide the Internet from kids. It worries me some particularly because I've done Disney and Pixar stuff.
I auditioned for 'Coco' when I was nine years old, and I had no idea I was auditioning for a Disney/Pixar movie. When I was 10, they told me that it was going to be a Disney/Pixar movie, and I was just mind-blown. I was so shocked and thankful that I was going to Pixar.
I was kind of the black sheep with the Disney kids. I was uninterested in making friends with most of them. I didn't really fall into 'the Disney mold.' I was more or less the kid hanging out with the crew members and got along with them far better.
It's funny, I don't really feel that nostalgic. I only recently started putting up some photos from some of the sessions I've done over the years and some of the Garbage sessions because my daughter, who's 10-years-old, when she was about 6 or 7 she was more curious about what I do. I have all these platinum records and stuff, they've all just been in boxes in storage for years but I started just digging through those things because I sort of want her to be aware of my past. I never really put the old recordings on and listen to them and go, "Oh that sounds great."
Most of the time it's the parents who recognise me. They try to tell their kids, 'Look, it's Giselle,' and I say, 'No, no, no, don't ruin this for them,' because I'm usually standing there with my hair sideways and no make-up on. And the kid is saying, 'That is not Giselle. No way. That is some worn-out girl who really needs a bath.'
I already know the Internet is going to try to take little stuff and run with it. I don't really try to get too caught up, because it will throw me off my focus.
Most kids come home from school. They don't go to their TVs first. They go to the Internet. They check their emails, or some blogs, or some sites. Then they go watch TV. Other people are at work all day 9-5 in front of a computer. They see certain clips. We're not going to hide the fact that people use the Internet. We're going to try to be as interactive as possible with our fans. I'm currently on Twitter and Facebook and Flicker and Dig. I'm on all that stuff.
After Pixar's 2006 merger with the Walt Disney Company, its CEO, Bob Iger, asked me, chief creative officer John Lasseter, and other Pixar senior managers to help him revive Disney Animation Studios. The success of our efforts prompted me to share my thinking on how to build a sustainable creative organization.
One reason for keeping Disney animation separate from Pixar was that by solving their own problems when they finished a film, Disney could say, 'Nobody bailed us out; we did it.' And it's a very important social thing for them to do that.
I think rappers are the fall guy because some of us don't have the wits to point the finger back. The thing is when you take a whole generation and whip them out, string the mothers out and put the fathers in jail - the reason I know respect is because my father is the mediator between me and my grandfather. I'm the mediator between my son and my father because I'm old enough to understand where my father is coming from and young enough to understand what my kid is trying to do. When you whip out the mediator the kids run wild and the old people are scared of them.
There's some irony in playing a journalist after some of the stuff that has been written about me, but it's a great profession, particularly investigative journalism.
After the song [for sausage Party] was finally done, we didn't have enough time, but we thought it would be fun. It also would've thrown it off a bit, because we really are doing more of an homage to Pixar, and if we filled it with songs, it would've felt more like Disney. And we had an experience, while we were making it, that going too Disney made it too weird.
What we try to do at Disney and through Disney character voices is really maintain the integrity of our classic characters at all costs. So Ariel needs to be me for every project, and if there are any other Ariels floating around out there, it's not necessarily Disney.
I'm 14 years in the game, ... There's some kids that weren't even born when my first album came out. I wanted to draw a timeline between my old stuff and my new stuff and bridge it to where there's a level of continuity.
I love Disney. I know that some Disney stars want to break out of the Disney mold, but no, if they let me, I would work with Disney until I die.
My fan base is really, really young. They're the youngest demographic that you can track on YouTube: 13- to 17-year-old females. But the fan mail that I get in my P.O. box, they're all from moms and from kids who are two years old, three years old, four years old.
I do try to schedule out the week and I do make sure that when I get home, I'm done. That's when my emails can get really backed up because when I get home I need to be totally present for the kids.
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