A Quote by Randy Orton

I want to go out there and try as hard as I can to be the best in that ring. And for me, that doesn't mean cutting flips and cartwheels and not selling punches. — © Randy Orton
I want to go out there and try as hard as I can to be the best in that ring. And for me, that doesn't mean cutting flips and cartwheels and not selling punches.
If you're in the ring with somebody that doesn't throw good punches, guess what. Don't have him throw any punches. You work to their strengths. It's really not that difficult. You don't try to get them to do things that are out of their realm or whatever. It's not hard. It's not rocket science.
I just try to just roll with the punches. I mean, once the team pretty much starts closing out, just try to get in attack mode, and at the same time, try to find my teammates. It's kind of hard, hitting the shots I was hitting, to try and pass the ball, but you've got to figure out a way.
I had heard everything, Larry gonna knock me out, he gonna beat me, this and that. I got so sick of that. I had a little talk with myself in my bedroom and I said, Don't think about getting in the ring with Larry Holmes, I mean, Don't forget Larry Holmes is getting in the ring with you. You're champ for so many years. And just do what you're best at. What I am best at was not letting anybody have their way with me in the ring.
Ring out the old, ring in the new, Ring, happy bells, across the snow: The year is going, let him go; Ring out the false, ring in the true.
Adrian Neville, who's my best friend, I rode with him on the road. He was the most crisp, athletic, poignant guy - never missed a step. It was insane. I had never seen anybody who could move in a wrestling ring like him; it was like second-nature to him. Flips - name it - agile jumping in and out of the ring effortlessly to the top rope like crazy.
It was a natural process, because when we go to the ring we are human beings, but once you feel the punches and the competition that's when the beast comes out and takes hold of us.
I don't have any siblings, but I have best friends that I have known since kindergarten that I'm protective of. If they call me and tell me someone was mean to them at school - I want to go to school and be mean to that person and try to stand up for them.
I think when I start out writing, I always try to write the version of the movie that I want to go see. I don't mean it in a way that ignores the audience, but I really set out to make a movie that I want to see and that, hopefully, other people will want to go see it. So whatever's amusing to me, I guess, I throw it all in there.
Selling out isn't selling out anymore. It's getting the brass ring.
Impressions are still kind of hard for me and not what I love to do the most, but with characters, I think there's an element of fearlessness. You try to figure out the best reading and wording of the jokes before the show, and then you just really have to go hard.
I've always been honest with all my kids. So I - if they did well, they did well. And if they didn't, actually, I asked, did you try your best? And if they tried their best, then, you know, I back out because I expect them to be honest with me or with themselves. And I can't make you go out there and work out hard.
If you look at Caterpillar now [in Japan] with what's going on. [Shinz?] Abe is a great leader. Who is our chief negotiator? Essentially it is Caroline Kennedy. I mean give me a break. She doesn't even know she's alive. It's Caroline Kennedy. So Caterpillar is having a hard time selling because Komatsu is under-cutting them.
I’ve never watched an entire episode of "American Idol." It’s too mean. Why would anyone want to go on a show to be ripped apart? I don’t want to be tough with my singers, but I do want to tell them on "The Voice" that if you really want this, you’ll be kicked when you’re down. You have to be willing to roll with those punches. You have to really want it.
I hardly ever go back to Florida. It's really hard to go back. I mean, I hated it so much. I didn't grow up in a great neighborhood, and it puts me back in that feeling of, "I want to get out immediately." That was kind of the push and what still pushes me, that I don't want to end up back there.
The reason I feel bad for Steve Kloves is because he doesn't enjoy cutting things out. He's not sitting there with scissors, just laughing maniacally, going, "Ahahaha." He doesn't like doing it. The stories mean so much to him. But it had to go. And David kept saying, "We're gonna try, we're gonna try, we're gonna try" all the way into the shoot until the very last days, when he said, "Sorry, it's just not gonna work."
Ring out false pride in place and blood, The civic slander and the spite; Ring in the love of truth and right, Ring in the common love of good. Ring out old shapes of foul disease; Ring out the narrowing lust of gold; Ring out the thousand wars of old, Ring in the thousand years of peace.
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