A Quote by Randy Pausch

Educators shouldn't be afraid of cliches. You know why? Because kids don't know most of them! They're a new audience. And they're inspired by cliches. — © Randy Pausch
Educators shouldn't be afraid of cliches. You know why? Because kids don't know most of them! They're a new audience. And they're inspired by cliches.
Beware of clichés. Not just the ­clichés that Martin Amis is at war with. There are clichés of response as well as expression. There are clichés of observation and of thought - even of conception. Many novels, even quite a few adequately written ones, are ­clichés of form which conform to clichés of expectation.
I seem to know all the cliches, but not how to put them together in a believable way. Or else these stories are terrible and grandiose precisely because all the cliches intertwine in an unrealistic way and you can't disentangle them. But when you actually live a cliche, it feels brand new, and you are unashamed.
I've never understood why artists, who so often condescend to the cliches of their own culture, are so eager to embrace the cliches of cultures they know nothing about.
To idealize: all writing is a campaign against cliché. Not just clichés of the pen but clichés of the mind and clichés of the heart.
When told a script was full of old cliches: Let's have some new cliches.
I'm sick of the old cliches. Bring me some new cliches.
Two cliches make us laugh. A hundred cliches move us. For we sense dimly that the cliches are talking among themselves, and celebrating a reunion.
Clichés are what good writing is all about. Because our lives are basically clichés.
One of the problems of this genre is that there are cliches everywhere, and you've got to be careful and watch out. Our rule with cliches is to either gently acknowledge them and make fun of them, or do something else. Milady is, in one sense, a villain because she does bad things.
When everyone starts sounding the same, that's when you know the words and phrases have become clichés. Instead of speaking in clichés, I encourage people just to be themselves, let their passion burn brightly, and go work on things they love spending their time on.
Don't avoid the cliches - they are cliches because they work!
I don't think there are any clichés I try to avoid. As soon as I spot a cliché, I go for it. I feel like clichés are the most useful thing in songwriting. They're the tool on which you build all the rest of the song.
your soul needs to be lonely so that its strangest elements can moil about, curl and growl and jump, fail and get triumphant, all inside you. Sociable people have the most trouble hearing their unconscious. They have trouble getting rid of clichés because clichés are sociable.
If I ever see another Shakespeare production where somebody drives a Jeep on stage, I'm going to run screaming up the aisle. These tend to be matters of design. I mean, we're seeing a lot of - it's very common to see Shakespeare with automatic weapons, things like that. They are clichés. They're new clichés, but they are clichés. And they're provincial. It's not clever to do Henry V, and have everybody dressed in United Nations soldier's costumes anymore. I've seen that one too. That kind of thing irritates me.
Cliches are cliches because they are true.
When all the archetypes burst out shamelessly, we plumb the depths of Homeric profundity. Two clichés make us laugh but a hundred clichés moves us because we sense dimly that the clichés are talking among themselves, celebrating a reunion. . . . Just as the extreme of pain meets sensual pleasure, and the extreme of perversion borders on mystical energy, so too the extreme of banality allows us to catch a glimpse of the Sublime.
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