A Quote by Randy Quaid

I would never walk off any show. — © Randy Quaid
I would never walk off any show.

Quote Topics

As a young concert-going person, I was never enamoured with celebrities who would walk out to feature in certain songs and then walk off.
I think certainly after every show I headline, I will be available to the fans. When I'm headlining a show, I don't walk off stage. I'll walk to the front of the stage and sign hats and shirts and tickets for 15 to 30 minutes, until everyone has everything signed.
I thought my first few jobs would just be off, off, off, off, off broadway. And by chance and how the world works, I ended up on a TV show instead.
I never thought that 'Atlanta' would go off and do what it was gonna do. I never thought that I would get recognized for that show the way that I have been.
When most artists walk offstage, they go to a lonely hotel room. I went home to my family. They were there before the show, during and after. It's been great. I never would have done it any other way. I wasn't gonna miss raising my kids. There was no way that was gonna happen.
I wanted to do a show about a family that is absolutely black. Because as Du Bois has shown, we do have to live a double consciousness every day in the world. We have to walk our path and walk the mainstream path, and there's never really been a show that's talked about what that's like.
I was able to walk at 5. I had to be able to walk in order to be mainstreamed into public school. And my father worked day and night to teach me how to walk. And I think what's so amazing about this is the fact that he was told that I would never walk. And he decided that he was going to try.
I would ask my mother to show me how to walk - and she did show me. That's why I think it's funny when people say, 'Did so-and-so teach you how to walk?' And I always say, 'You must be talking about my mother, because it was my mother who taught me how to walk.'
Whenever I perform I try to connect with the crowd and give off energy so when they walk away from the show its remarkable and its something they talk about it, like 'damn I cant wait to come back to my show.'
Some people would never get any exercise at all if they didn't have to walk to their cars.
When I was playing Bishop, I would always walk on set thinking, 'This is my show; this is a show all about me.'
I never in my wildest dreams thought I would get even one play at Indiana, let alone 25 years later, walk Bruin Walk, walk UCLA where Coach Wooden built his legacy.
You're not like the others. I've seen a few; I know. When I talk, you look at me. When I said something about the moon, you looked at the moon, last night. The others would never do that. The others would walk off and leave me talking. Or threaten me. No one has time any more for anyone else. You're one of the few who put up with me. That's why I think it's so strange you're a fireman, it just doesn't seem right for you, somehow.
He asked himself what is a woman standing on the stairs in the shadow, listening to distant music, a symbol of. If he were a painter he would paint her in that attitude. Her blue felt hat would show off the bronze of her hair against the darkness and the dark panels of her skirt would show off the light ones. Distant Music he would call the picture if he were a painter.
When I worked in those offices, it was just irritating to me that somebody sat there and designed this place, never thinking that you would walk from here to there, and they didn't care. The one guy designs it, gives it to the other guy, he looks at it; no one thinks about all the people that gotta walk through it. So I think the best way to show those banal moments is to be just flat and wide.
I've never made any money off of any of my films. Statement of fact. So without commercial work, I would be in big trouble.
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