A Quote by Randy Shilts

I can only answer that I tried to tell the truth and, if not be objective, at least be fair; history is not served when reporters prize trepidation and propriety over the robust journalistic duty to tell the whole story.
I think you tell the story that has to be told. You tell the story that's the truth. You tell the story that readers will be interested in and should know about.
Sometimes I don't tell the truth, which is telling the truth about not telling the truth. I think people don't tell the truth when they're afraid that something bad's going to happen if they tell the truth. I say things all the time that I could really get into trouble for, but they kind of blow over.
I don't tell a story unless I have a very deep bench. If you tell an idiosyncratic story, there's no resonance. People read it and say, "I don't see anyone like that." So I tell a story only when I have many stories behind it.
The press, or at least most of it, has lost the passion, the outrage, and the sense of mission that once drove reporters to defy authority and tell the truth.
Who does not know history's first law to be that an author must not dare to tell anything but the truth? And its second that he must make bold to tell the whole truth? That there must be no suggestion of partiality anywhere in his writings? Nor of malice?
Memoirists, unlike fiction writers, do not really want to 'tell a story.' They want to tell it all - the all of personal experience, of consciousness itself. That includes a story, but also the whole expanding universe of sensation and thought ... Memoirists wish to tell their mind. Not their story.
The thing is you can never sugarcoat anything, If you're going to tell a story, tell the truth. If you're going to tell something, why not tell it all?
When I asked my mother, ‘how do I tell people about you’ her answer was ‘tell the truth’. But of course, the truth is never simple.
As an actor, what I can do is tell the truth. At least, I hope I can tell the truth - a dramatic truth, but still an honest portrayal.
When I have one foot in the grave, I will tell the whole truth about women. I shall tell it, jump into my coffin, pull the lid over me and say, "Do what you like now."
If you don't tell the truth the whole truth and nothing but the truth about your own life, someone may claim the right to tell it for you.
One thing we can probably agree on is that the truth, however we define it, is often hard to tell. It can be hard to tell the facts of the story, and it can be hard to tell its emotional truth too.
If a reader believes that everything in nonfiction or history is just objectively true, I don't really know what to tell them, except that at least in fiction, the choice of what perspective and bias to tell a given story from - which is always a deliberate choice - is foregrounded and clear.
I was in control of what people thought of me, but I had no control over what they thought of my mother. When I asked my mother, 'How do I tell people about you?' her answer was, 'Tell the truth'. But of course, the truth is never simple.
If you gauge how you're doing on whether somebody is responding vocally or not, you're up a creek. You can't do that; you kind of have to be inside of your work and play the scene. And tell the story every day. Tell the story. Tell the story. Regardless of how people are responding, I'm going to tell the story.
You could perhaps better tell the story of a place by writing of a tiny village as a sort of prism into the bigger issues the culture was facing. It struck me as a better way to learn about a place, or at least a different way, than just going to interview the president. So I have often tried to tell the story of a place through people there. But I'm just amazed.
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