A Quote by Raney Aronson-Rath

'Frontline' started doing digital content in 1995. We started streaming our films in 2000. — © Raney Aronson-Rath
'Frontline' started doing digital content in 1995. We started streaming our films in 2000.
We found the appetite for 'Frontline' has only grown as the digital landscape has exploded. The appetite for the reporting we do on our digital platforms to the short films we're doing for our Facebook and YouTube channels. And we're still producing these remarkable long-form films.
I started doing non-surf stuff like commercials, short films, and music videos and just started expanding my filmmaking that way. I started doing that more for a career: you know, it was paying the bills, and it was challenging. I was stimulated by it.
We started putting '2000' at the end of our name. That was in 1985, and 2000 seemed very futuristic.
I was born. When I was 23 I started telling jokes. Then I started going on television and doing films. That's still what I am doing. The end.
I was always kind of against streaming, but I've been traveling so much, and I usually carry a huge hard drive of digital music with me, but I haven't had time to deal with it, so I've been doing streaming. And I had this incredible breakthrough of weightlessness where I've really been loving streaming music.
Initially, I didn't have much knowledge about cinema. But once I started doing good films, precisely after 'Kaaka Muttai,' people started respecting me as a performer.
The explosion of the Web and digital media from 1995 to 2000 shook companies more profoundly in a shorter time than anything since the end of World War II.
I just think I started off like many composers, just in different fields of music I was doing. I started doing a lot of commercials and jingles, and then that led to doing TV and then films and games and TV.
I grew up kind of in the country, in western Georgia. And then I moved a lot closer to Atlanta, and I started doing plays, and when I started doing film, I think I really started to love it.
I think when I was getting into directing, or wanting to be a director, when I was a teenager, the two films that really inspired me were Raising Arizona and Evil Dead II. And in the case of the former, I thought, "Wow. Why don't all comedies look like this?" And then as I started doing comedy, particularly when I started doing it on TV...
'Naked' propelled me into a whole other league. America started calling. I went over to Los Angeles and met all those people, and I started doing a few American films of various levels of quality.
I started doing documentaries in the first place because of the war. I always wanted to do feature films, and I studied directing when the war started, so I was working with actors before, in film and in theater. So I think it's easy to work with actors when you have a script that is clear, when they know what and why they are doing it.
I started doing my own animated movies when I was in ninth grade; that's when I got the filmmaking bug. When I was about 16, I started writing jokes for doing stand up, and then I was 19 and started doing stand up.
I started out doing everything on a custom scale and when that started paying the bills I started making more pieces.
I in fact started doing theatre before a lot of film people started doing it and I started my website before anybody else.
We started making content because we wanted to see it, and so our content ended up being genuine.
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