Since most heroes are doing villainous roles these days, that thrill is lost. Earlier, there used to be a hero, a heroine, a villain and such. The villain's entry would generate a lot of curiosity among the audience back then.
In a typical Hindi film, there's the role of the hero, the heroine, and the other important character is the villain.
I would have loved to do a film like 'Piku' or 'Neerja.' But I never got a role where a woman played an authoritative role. In my time, the hero and the villain were both men. The heroine was only the victim.
In the '80s, there was a fixed costume of a heroine, and not the physical costume, but this is what a heroine is, she is an art prop. She will look beautiful, support the hero, dance, get saved by hero. I didn't ever aim to go there.
To be completely honest, it's shocking to me that I keep getting the villain roles! I do not see myself as the villain and I know, growing up, I was the opposite of a villain. I would never try to be a villain to anyone - but maybe other people I grew up with feel differently about that.
Everybody has a hero and a villain within themselves. So it depends upon you to be a hero or a villain. If you show humanity, it will give you satisfaction.
I don't think a heroine-oriented film has the capacity to pull an audience like a hero-oriented film in any film industry.
Regarding heroism, I grew up in a culture where you learn about heroes and heroines all the time. In a way, when you call someone a hero or heroine, it's the same as calling them a villain.
If you have not been a villain at a certain point in time, you will never be a hero. And the day you are a hero, you may become a villain the next day.
In the '70s, '80s and '90s, noted actors like Iftekhar used to get mainly police officer roles, Bindu ji would do a negative role, and Nirupama Roy was the on-screen mother. All this had its own charm. There was a fixed casting.
I find I am more interested in the villain-type roles because they can be so much more complex than just the villain. I don't think anybody sees them as evil per se. They show how close we are to one another. It's an untapped area of art. And I think, physically, I'm not going to play the hero.
Eventually, after the hero and heroine, it is the antagonist who comes with the most anticipation in any film.
In the '60s, '70s and '80s, everybody was pretty tense on the set.
On OTT, it's not about her or heroine, every single character is powerful and a hero, heroine in their own space.
I started my career with her. I was supposed to do my first film in Tamil in which she was the other heroine. The film was titled 'Vennira Aadai.' It was a love triangle, with Jayalalithaaji and I playing the hero's two love interests. But the director Sridhar removed me from the film after a few days' shooting.
I love that Moana is a heroine, and I hope people take that away, and that you most certainly can be the heroine, or hero, of your own story.