A Quote by Rankin

When you look at pornography, the women become objects, whereas what I'm trying to do is make the person in the photograph as important as their body. And obviously, I like tits and arse, because I just do. I like the sex of taking photographs.
I'm against suppression of pornography. If you suppress guns - yes; if you want to suppress poverty - yes. These are the obscenities, the real brutalization of people. I am almost more outraged by ads for blue jeans or cars that sort of blatantly depict women not only as sex objects, but women that look younger than the age of consent, looking like they've just been raped or asking to be raped-utterly passive sex objects.
The notion that Playboy turns women into sex objects is ridiculous. Women are sex objects. If women weren't sex objects, there wouldn't be another generation. It's the attraction between the sexes that makes the world go 'round. That's why women wear lipstick and short skirts.
I don't think I would ever write a book with what anybody could call pornography in it, because I feel that pornography is a cheat. It is an attempt to provide sexual experience by secondhand means. Now sex is a thing which has to be experienced firsthand, if you are really going to understand it, and pornography is rather like trying to find out about a Beethoven symphony by having somebody tell you about it and perhaps hum a few bars. It's not the same thing. Sex is primarily a question of relationships. Pornography is a do-it-yourself kit--a twenty-second best.
If you photograph for a long time, you get to understand such things as body language. I often do not look at people I photograph, especially afterwards. Also when I want a photo, I become somewhat fearless, and this helps a lot. There will always be someone who objects to being photographed, and when this happens you move on.
Someone once remarked that in adolescence pornography is a substitute for sex, whereas in adulthood sex is a substitute for pornography.
Things like pornography perpetuates this idea that women are just there as objects of male desire and are not complex people with their own sexuality and humanity.
[When] I am taking a photograph, I am conscious that I am constructing images rather than taking snapshots. Since I do not take rapid photographs it is in this respect like a painting which takes a long time where you are very aware of what you are doing in the process. Exposure is only the final act of making the image as a photograph.
Social media's currency is the single photograph. Whereas, every time I look at a photograph, I look at twenty or thirty photographs. I'm looking for a narrative. And that's a different kind of construct. If you're a poet and you put a line from your poem online, "The trees bending over gracefully," or something, you can get a tick. But that has nothing to do with your longer poem.
People don't think of writers as sex objects. The women who write to me and suggest that we ought to have sex usually turn out to be, like, eighty. And their letters always end with, "Just joking."
I definitely appreciate my gym the most because I am totally the type of person that just like has a hard time relaxing. And whenever I don't have anything to do or I'm bored around the house, I'll just be in there for like a couple hours sometimes, just like stretching or working out and just taking care of the body.
I look at the field, and I think about the boy who just made the touchdown. I think that these are the glory days for that boy, and this moment will just be another story someday because all the people who make touchdowns and home runs will become somebody's dad. And when his children look at his yearbook photograph, they will think that their dad was rugged and handsome and looked a lot happier than they are. I just hope I remember to tell my kids that they are as happy as I look in my old photographs. And I hope that they believe me.
As you get closer to equality, you get more pornography. True patriarchal societies like Saudi Arabia do not allow pornography because women are not allowed to turn their bodies into a commodity; women are chattel.
I am not much interested in discovering new territories to photograph. Instead, what I wish my pictures could do is lessen the distance one often feels when looking at landscape photographs... The longer I work, the more important it is to me to make photographs that tell my story as a participant, and not just an observer of the land.
But there are times when thinking is misplaced, like when taking photographs. You cannot think your way to making photographs; you can photograph your way to clearer thinking.
I think people who make objects like the distance; they're not there when the other person is taking it in.
Any violation of a woman's body can become sex for men; this is the essential truth of pornography.
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