A Quote by Rankin
When I worked on an erotic shoot... I shot digitally. It helped the models get into it because they could come over and see what was happening. It was the closest to being sexual, because it was a participatory experience.
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I told (my wife) that there's a three-month aftermath that you better be able to handle, because it's real. I think the worst thing we could do is push it away and say, 'Hey, it's not happening. We don't have time for this,' because we worked so hard to get to that point. ... But the reality is (our opponents the next year) are going to come after us.
When I was in Hungary in December I was looking at student films and I could not tell which ones were shot on film and which ones were shot digitally. I think that is because the filmmakers in Europe go to four years of film school and learn the techniques.
You have to think about why you're asking an audience to come to the theater. It's not that they should come because it's good for them, because it's the vegetables that they should eat and the culture shot that they should get... It's about experience and building community and catalyzing dialogue and bringing people together.
People who came to the clinics or came to the fundraiser knew what was happening in their state but didn't realize the profundity of what was happening all over the place. But the third thing [was] that at every single clinic I went to, somebody who worked there - it could have been the doctor, it could have been the receptionist - said, "Thank you for coming, no one ever comes." And it broke my heart...I've used these services, I've had an abortion, I got to be where I am because of access to making choices to have the life I wanted.
You look at the inner cities and you see bad education, no jobs, no safety. You walk to the grocery store with your child and you get shot. You walk outside to look and see what's happening, and you get shot. In Chicago 3,000 people have been shot since January 1st. I am not going to let that happen.
Freud's view is that all love is sexual in its origin or its basis. Even those loves which do not appear to be sexual or erotic have a sexual root or core. They are all sublimations of the sexual instinct.
At the beginning of my career, I shot a lot more documentaries because I liked the adventure, and probably also because it was easier, and still is easier, for women DPs to shoot documentary than it is to shoot fiction.
It affects you when you get shot at, when your children get shot at. In our case, we had one shooter, a guy from Illinois mad that Trump won, and decided to come to Washington and shoot GOP congressmen.
You see crime and you see all [ sharia] things happening, unfortunately all over Europe, because of (a) the mass immigration, but (b) also because of we politicians are not able to deal with it.
I don't get tripped up in technology. I use technology as a tool. 'Oldboy' we shot Two Pro 35mm. For 'Da Blood of Jesus,' we shot digitally. We shot the new Sony F55. It's a 4K camera.
If anything, I'm overacting in the ring because of the facials and the body language. I want the guy in the cheap seats to be able to see what I'm thinking, the expression on my face. But when you're filming a movie, it could be a two- or three-camera shot, and you're doing it over and over and over again. It's not live TV; it's a lot different.
When you're working with a script and you have three pages for that day, you have to shoot that. It can become sort of like a prison, because by the time you've shot what you need to shoot, you don't really have time to think or shoot anything else.
The kiss that you have never given is just as powerful as hours of actual lovemaking. The erotic isn't just what is happening between people's legs. It is also what's happening in their erotic mind.
I could bring you so much pleasure, erotic, erotic, put your hands all over my body.
I don't think any of our lyrics have ever been erotic in a sexual term, because I haven't really written, touched on, that subject too often. But, uh... I mean, I suppose they could point the finger at us for violence maybe in certain songs.
We all have mental models: the lens through which we see the world that drive our responses to everything we experience. Being aware of your mental models is key to being objective.
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