A Quote by Ransom Riggs
I had been writing since I was pretty small, and I've always been telling these stories about doors and finding other worlds within our own.
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I've always been ambidextrous, writing short stories and novels, and I pretty much have been writing a novel and a handful of short stories every year since '91.
As an activist, you do find yourself directed more toward public action. But I've always tried to use stories from my own life in my writing for instance. It has always been clear to me that the stories of each other's lives are our best textbooks. Every social justice movement that I know of has come out of people sitting in small groups, telling their life stories, and discovering that other people have shared similar experiences. So, if we've shared many experiences, then it probably has something to do with power or politics, and if we unify and act together, then we can make a change.
So I found myself telling my own stories. It was strange: as I did it I realised how much we get shaped by our stories. It's like the stories of our lives make us the people we are. If someone had no stories, they wouldn't be human, wouldn't exist. And if my stories had been different I wouldn't be the person I am.
For girls and women, storytelling has a double and triple importance. Because the stories of our lives have been marginalized and ignored by history, and often dismissed and treated as 'gossip' within our own cultures and families, female human beings are more likely to be discouraged from telling our stories and from listening to each other with seriousness.
As an activist, you do find yourself directed more toward public action. But I've always tried to use stories from my own life in my writing. It has always been clear to me that the stories of each other's lives are our best textbooks.
I grew up in a small town with a very small library. But the books in the library opened a large place in my heart. It is the place where stories live. And those stories have been informing my days, comforting my nights, and extending possibilities ever since. If that library had not been there, if the books - such as they were - had not been free, my world would be poor, even today.
It has been said, "History is written by the victors." I take this to mean we can make ourselves victorious by writing, and then rewriting our own stories. In a country and culture so dominated by media, by the manipulation of words and stories, telling the tales of people whose stories historically have not been told is a radical act and I believe an act that can change the world and help rewrite history.
Pretty That's what I am, I guess. I mean, people have been telling me that's what I am since I was two. Maybe younger. Pretty as a picture. (Who wants to be a cliché?) Pretty as an angel. (Can you see them?) Pretty as a butterfly. (But isn't that really just a glam bug?) Cliché, invisible, or insectlike, I grew up knowing I was pretty and believing everything good about me had to do with how I looked. The mirror was my best friend. Until it started telling me I wasn't really pretty enough.
There's something exhilarating about telling stories that haven't been shared before and haven't been told publicly before. The last thing I want to be doing is telling stories other people have already told. That's not to say that there isn't important work out there about people in positions of power, but I know my strength. Even when I was at the Wall Street Journal 10 years ago, this is what I wrote about.
Woodfall wasn't deliberately telling working-class stories, but John Osborne and other writers who were involved with them were writing those stories, which had never really been written before. The working-class person always had to have an accent before, was often a joker, and peripheral. At Woodfall, they were driving the film.
Beginning authors often get in their own way … They forget that they’ve been telling stories since they could talk. … The important thing to remember is, you know how to do this. You’ve been doing this your whole life.
My work is very eclectic. I write books that range from writing fiction, writing fable where I am very directly trying to imagine alternate worlds, to writing about [Buckminster] Fuller who was the ultimate world man creating all sorts of alternate worlds and believing that they were imminent to my own work of - for instance, a project that I've been working on for some year and a half, two years now that continues to evolve has been what I call Deep Time Photography.
I'm a 50-year-old guy making music for over 20 years. I've been writing songs since I was 20, so it's really been 30 years, and it's always been personal, but I've always told stories.
Writing is writing. It is all about telling stories, and I've been doing that for so long, in all realms, that it all feels like the same thing to me anyway.
I've always been curious about the other worlds we can shift into in our imaginations.
Ever since I was a teenager, I always had a very strong sense of my own personal style. Kind of for better or for worse - actually I don't think it's ever been for worse. The way that I dress has always been a pretty accurate reflection of my personality and my life.
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