A Quote by Ransom Riggs
I think my background in film taught me that a great book adaptation is not always slavishly faithful to the source material.
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In any adaptation, the challenge is to take the essence of the original source of the material, be faithful to it to a point, but to also recognize that you're telling a story in a very different medium. It has to exist on its own, and it has to offer something unique to that experience.
If it's a good work of adaptation, the book should remain a book and the film should remain a film, and you should not necessarily read the book to see the film. If you do need that, then that means that it's a failure. That is what I think.
When you got source material, whether it's a play or a book - a great writer often appreciates being adapted and developed. It's like when you go see a production of a great play and they are always different. There is always room for interpretation.
The film world is always looking for great source material, and Broadway has traditionally and historically been a place to go.
I think the whole DVD craze has provided opportunities for material that, for those interested in it, explains the whole history and background in getting a film made, which is great.
What I'm always afraid of is going "off-book,I always get upset when the director leaves the classic comic that was so very popular. I argued, and I won't say with who about what, but when we go way away from the original source material... that material is popular for a reason and I like to stick with it.
A movie is not a book. If the source material is a book, you cannot be too respectful of the book. All you owe to the book is the spirit.
Always remember, there's no point trying to be faithful to the book because film and writing are just two completely different things. Any film stands on its own, apart from whether it's based on a novel.
Well, the medium of film is so different than a book that just by bringing it into visual storytelling is to change it up. I think in a book, in any book, you can have a reactive character. Some of the great novels of all time have had that, but in a film you can't do that.
The book [Night manager] is amazing. It is amazing to act in any book adaptation, because a book gives you so many secrets and details that don't necessarily get shot in an adaptation. They give you a cushion underneath everything. The detail in the character, the detail in the tone.
Every once and a while somebody writes a script, but even regardless of what age you are, most of the actors would all agree that it's all based upon material and the material has got to spark with you. It may be great material but you think it's great material for somebody else. Or it's great material and I'm perfect for it. So, you just have to make that judgment and if you feel in the mood to do it.
I think it's the source material. 27 Dresses was a famous book, and Devil Wears Prada was also a wonderful book, so it's coming out of the novelists who are really creating these wonderful female characters that we want to see on the big screen.
I feel so fortunate to have great coaching. Coaches that have taught me great habits and taught me great things about basketball and life, but I've always played for coaches who have held me accountable and that's made me a better player and person.
I think it is always a long shot getting a book made into a film. Making that book into a film is going to be quite a challenge.
Anyone who reads the comics knows Maxima comes to Earth in search of a mate among the superhero population - specifically Superman. She's denied by him and she becomes very angry and bitter. We'll see how that history plays out in the show - every adaptation is a little bit different, but 'Supergirl' does a great job with the source material.
If you're given source material that's as special and well-written such as the new project from Robert Kirkman, you would be foolish not to want to do that and not to be faithful to that to some degree.
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