A Quote by Ransom Riggs
Every snapshot collector has obsessions. Some only collect photos of cars. Others like World War II, or babies, or old-timey girls in old-timey swimsuits. I happen to collect the weird stuff: photos that make the hair on the back of your neck stand up a little. The uncanny.
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I happen to collect the weird stuff - photos that make the hair on the back of your neck stand up a little. The uncanny.
I've never really been interested in the vintage photos people pay lots of money for -- civil war tintypes or old daguerrotypes of famous people. Nor do I have any interest in the really gross, dark stuff that some people pay top-dollar, like post-mortem photos of babies (yuck) or press photos of old murder scenes or whatever. I collect in these little niches most other people don't care about -- dark-and-weird-but-fun -- and photos that have been written on, which a lot of sellers think hurts their value. All of which is good news for me!
I collect handkerchiefs. I know that's sort of old-timey, but my mom started the collection for me, and now I have a bunch. Basically, I have a myriad of beautiful handkerchiefs, and I carry them like a grandmother in my purse. And I opt for hankies in any situation.
Some of my favorite photos from the old days are of people who maybe didn't know how to smile. Maybe smiling in photos wasn't an accepted form of behavior back then. But the big eyes and the oversized dolls that people are carrying, and it's something about their hair - the anachronisms of these photos are really what creep me out.
The artist is a collector. Not a hoarder, mind you, there's a difference: Hoarders collect indiscriminately, artists collect selectively. They only collect things that they really love.
Mainly horror movies and exploitation movies and a lot of stuff comes from those press books from those old movies. Lines out of old movies, comic books that we collect, all the old horror comics of the 50s, probably about the only comics that we collect are obscure horror comics, the real sick ones from the 50s. Some stuff comes from there but mainly just old records, old rockabilly records and that stuff, singles mainly, 45s.
I'm an old-timey gal.
Sometimes I think we're on this world for three reasons: to be useful, to tell each other stories and to collect stuff. It's the only explanation for eBay. We love to collect stuff, and at least if we're collecting stuff in cyberspace we're not deforesting the Sierra Nevada.
I collect old Coon Chicken Inn memorabilia. I collect black memorabilia, like old minstrel posters. It was a real place. There was one in Seattle, one in Portland, and one in Salt Lake City. They started in 1925, and then they went out of business around 1958.
There are some fabulous treasures of photos of me during the early days of my career; there are these pin-up photos that make me laugh: I look like the poor man's Maria Montez. But there are some I look at, and I didn't realize how sexy I looked back then.
Some people collect vintage cars, I collect Birkins. The leather ones are £20,000.
I take my camera pretty much everywhere and try to get the most diverse photos possible, since I get to travel to all the greatest cities in the country and see iconic architecture and things like that. I also like racing photos - like motorcycles, cars, stuff like that.
I collect old first and second World War artifacts and things. I'm a little secret history nerd. I've been lucky enough to do quite a few war movies too so I've taken little things off each film.
What bothers people more than anything is that I'm an old guy taking photos of them. But maybe if you look at the photos, 20, 30 years later, it's not going to matter who took the photos. I mean, they would just be there. People will hopefully get over that.
That's how I started out singing, was that real old-timey country.
There's only so much stuff you can buy. I have to retail the stuff. Stuff that's really really weird - it's cool, but who are you going to sell it to? I do collect some stuff. In the end, I have to run a business.
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