A Quote by Ransom Riggs
I'm getting a lot of mail from readers, and I'd say 90% seem to be from adults, which amazes me. But then again, I can only write what I imagine I'd like to read, and I'm an adult, so maybe it's not so surprising after all.
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Children make better readers than adults. They read as carefully as I write; adults read as a means of getting off to sleep. I get letters saying 'I have read your book seventeen times.' If you're an adult novelist and you get that letter, you should be afraid. You're being stalked. Kids always read them seventeen times!
What I do usually is read the book first, for pleasure, to see if my brain starts connecting with it, as a movie. And then, if I say yes, I read it again, only this time I take a pen and, inside the book, I say, "Okay, this is a scene. I don't need this. I'm going to try this. I'm not going to take this." And then, I use that book like a bible and each chapter heading, I write a menu of what's in that chapter, in case I ever need to reference it. And then, I start to outline and write it. I get in there and it starts to evolve, based on having re-read it again.
Young screenwriters are always very frustrated when they talk to me. They say, 'How do we get to be a screenwriter?' I say, 'You know what you do? I'll tell you the secret, it's easy: Read 'Hamlet.' You know? Then read it again, and read it again, and read it until you understand it. Read 'King Lear,' and then read 'Othello.'
"Nothing ever happens like you imagine it will," she says. The sky is like a monochromatic contemporary painting, drawing me in with its illusion of depth, pulling me up. "Yeah, that's true," I say. But then after I think about it for a second, I add, "But then again, if you don't imagine, nothing ever happens at all."
I just try to put the thing out and hope somebody will read it. Someone says: 'Whom do you write for?' I reply: 'Do you read me?' If they say 'Yes,' I say, 'Do you like it?' If they say 'No,' then I say, 'I don't write for you.'
Maybe if I ever come to write about my teens and adulthood - and I can't imagine I will - but if I do, then maybe I will want to say a bit more about the ways in which my parents' relationship with one another impacted on me in later years.
A typical workday for me is getting up at about 5:00, 5:15 in the morning, getting some coffee or tea as quickly as possible, and then getting to my desk. And ideally, I'll start writing around 5:30, 5:45, and I'll write for three, four hours, and then I'll take a break, and read over what I write. Maybe about lunchtime, I'll go exercise or get out into the day. Then I'll either read over what I wrote the day before and quit work around 3:00 or 4:00 in the afternoon and spend some time with my kids.
In 1600 the specialization of games and pastimes did not extend beyond infancy; after the age of three or four it decreased and disappeared. From then on the child played the same games as the adult, either with other children or with adults. . . . Conversely, adults used to play games which today only children play.
Back when the Bible was written, then edited, then rewritten, then rewritten, then re-edited, then translated from dead languages, then re-translated, then edited, then rewritten, then given to kings for them to take their favorite parts, then rewritten, then re-rewritten, then translated again, then given to the pope for him to approve, then rewritten, then edited again, the re-re-re-re-rewritten again...all based on stories that were told orally 30 to 90 years AFTER they happened.. to people who didnt know how to write... so...
When I read a book I seem to read it with my eyes only, but now and then I come across a passage, perhaps only a phrase, which has a meaning for me, and it becomes part of me.
To sleep with a woman: it can seem of the utmost importance in your mind, or then again it can seem like nothing much at all. Which only goes to say that there's sex as therapy (self-therapy, that is) and there's sex as pastime.
I am trying to come up with some "adult" reads, but I mostly read young adult fiction (my job), which, by the way is excellent. I will post about some of my favorites that should appeal to adult readers
Let's say I find a lot of current American fiction too overwritten for my tastes, too self-conscious; I like something that's simpler and more direct. The story is what matters to me. I hope to make it seem real to readers, as if it happened just like this - so I don't want fancy descriptions getting in the way.
Over and over again women and men ... come to me saying, I don't know enough to write a book for adults, and so I'd like to try a book for children. And I tell them that when they have learned enough to write for an adult perhaps a child will listen to them.
The first thing a writer has to do is find another source of income. Then, after you have begged, borrowed, stolen or saved up the money to give you time to write and you spend all of it staying alive while you write, and you write your heart out, after all that, maybe no one will publish it, and if they publish it, maybe no one will read it. That is the hard truth, that is what it means to be a writer.
My theory about writing is that one should write books you'd like to read, but no one else has written yet. So, as long as I stick with that, I'm entertaining myself, and then hopefully my readers as well. I hope to god I realize that I'm repeating myself, if I ever do. But if I don't, I'm sure my readers will let me know.
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