A Quote by Ransom Riggs
I've always been interested in exploration and the history of exploring the world, but it seems like we've found everything now.
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The days of exploration of Shackleton and Scott are long gone. Everything has been climbed, crossed, done. Now what we're exploring are the full boundaries of human endeavour. It's not physical - it's all in the head.
I've always been interested in the idea of space exploration. When I was younger it was just a dream, but the theory of rockets being able to travel through space was very much alive. I found it very exciting.
Daniel Day-Lewis is particularly a sort of beacon I've been following for some time. For God's sake, I'm not even in his league but he inspires me because he's not interested in playing himself; he's only interested in playing other people and the whole thing is like an adventure for him, it seems to me. It's some kind of spiritual exploration, which is an amazing, noble thing.
I've always been interested in exploring difficult subjects for the mainstream.
The history of exploration has never been driven by exploration. But Columbus himself was a discoverer. So was Magellan. But the people who wrote checks were not. They had other motivations.
Curiosity is the essence of human existence and exploration has been part of humankind for a long time. The exploration of space, like the exploration of life, if you will, is a risk. We've got to be willing to take it.
Jonathan Meese is not interested in the history of reality. Everything radical and precisely graphic is sustainable. Human ideologies like religions and politics are based on the past and therefore irrelevant to art. Art always transforms radicalism of the past into the future. Art is always the total time machine. Jonathan Meese is interested in the history of the future. Art is never nostalgic.
I understand why society, especially American society, is gravitating toward fairy tales, given our economy. We've been exploring the world of witches and wizards for years. We've been exploring the world of vampires for years. Clearly the public - I mean, I feel like all of this was ushered in by 'Harry Potter' - in my own fannish beliefs.
I have always been interested in exploring how we can leverage our knowledge about everyday objects, and how we use them, in order to interact with our digital world.
I know I certainly wouldn't be writing books if it hadn't been for the feminist blogosphere, and I think that's a really amazing thing. And just the sheer power of outreach I think is incredible. It used to be that if someone was to get involved in feminism, it was probably because they were already interested. They were already interested in feminism; they were already interested in being an activist, and they found their way to like a NOW meeting or to a consciousness-raising group or something like that.
I want to know why I'm alive. I want to understand. It's like exploration; it's like someone being interested in a place and its history, digging into the earth and looking for it, searching - it's a passion.
I wanted to be an explorer, but gradually found the world had been explored and that there was nowhere left, really. Once they climbed Everest in 1953, when I was 10 years old, I thought, 'Well, that's pretty much it now.' But the idea of travelling and exploring and adventure was very strong.
I've always been interested in space and the idea of exploration in that area since I was a child growing up through the '60s.
I am extremely interested in how people negotiate catastrophe, not because I'm morbidly interested in it but because I'm interested in the secret of resilience; that's what I'm always exploring in the stories and the novels.
I've always been interested in the Vikings - that's, like, part of my own history.
I am interested in the possibility that we are going to be wrong in the same way that history has indicated that mankind always is. It seems as though the history of ideas is the history of being wrong. And to me, that is a kind of continuum. It's a continual path that shows we don't always know something, but we're always shifting to a path that makes us feel more comfortable in the moment, even if that shift is wrong, and a new shift is destined to happen again.
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