I don't know where creativity comes from, but I think everybody has the ability to be creative. I think what's important about creativity starts when you're very young and how we're allowed to experience our imagination. The people who bring us up and teach us are fundamental in either encouraging creativity or discourging creativity. My imagination was always encouraged.
You know how it is when you go to be the subject of a psychology experiment and nobody else shows up and you think maybe that's part of the experiment? I'm like that all the time.
Well, I think, you know, the arts are really what - one of the things that make this country strong. We always think it's our economy or our military power, but in fact, I think it's our culture, our civilization, our ideas, our creativity.
In a way, if we want to make the postseason, we feel like we have to win out. We have got some good games coming up, but we are going to have to buckle down and get the job done somehow.
There's an old saying, "We can mess it up and God cleans it up." I haven't noticed a deity of any sort cleaning up our messes. We're going to have to do it ourselves, particularly since we have created most of these problems just by the genius and creativity that we've expressed and experienced here in this modern period. We've done it, and we've got to straighten it out.
There's a paradox in the notion that creativity should be a habit. We think of creativity as a way of keeping everything fresh and new, while habit implies routine and repetition. That paradox intrigues me because it occupies the place where creativity and skill rub up against each other.
I keep mementos from everything I've done. I've got my cab driver's license from 'Happiness.' I've got a pair of glasses and a belt buckle from playing John Lennon. I've got a pair of sunglasses from playing Andy Warhol... It's all in a box in the garage.
I see my whole 20s as a massive experiment. So were my teens. I think the problem is that we're not encouraged to experiment; we're encouraged to decide and choose, be singular and focused. You can't be that until you experiment. You don't know what's going to work until you try it.
You can win as long as you chose your battles. You can win more arguments then you might think as a writer, even though you legally have no recourse, and your script can get muddied and altered in any way possible. You can use reason, logic, and passion to argue persuasively for a case in your favor. So what I've learned is to just basically not buckle - not be belligerent, not be angry, not throw fits, but just not buckle.
A lot of designers get caught up in the creativity, but you've got to think about the legs of your collection - essentially, how the line is going to move forward.
Creativity is your best makeup skill, don't be afraid to experiment.
I have always attached great importance to the manner in which an experiment is set up and conducted ... the experiment should be set up to open as many windows as possible on the unforeseen.
What I've learned being a writer is to just basically not buckle - not be belligerent, not be angry, not throw fits. Though there are times where you have to stand up and yell. If I've got to throw a chair, I'll throw a chair. There was a meekness about me when I started, and I think the meekness has sort of evaporated. I hope that it's left behind a more passionate person, not a meaner person. So I guess that's what I've learned.
Creativity gives new forms, new patterns, new ideas, new art forms. And we don't know where creativity comes from. Is it inspired from above? Welling up from below? Picked up from the air? What? Creativity is a mystery wherever you encounter it.
Everybody's got creativity. Dive within to the ocean of infinite creativity.
Creativity needs a bit of untidiness. Make everything too neat and there is no room for experiment.