A Quote by Ranvir Shorey

What could be more satisfying for an actor than having the liberty to select and do the work of his choice. — © Ranvir Shorey
What could be more satisfying for an actor than having the liberty to select and do the work of his choice.
You have choice. You can select joy over despair. You can select happiness over tears. You can select action over apathy. You can select growth over stagnation. You can select you. And you can select life. And it's time that people tell you you're not at the mercy of forces greater than yourself. You are, indeed, the greatest force for you.
I feel more at home in London than in Los Angeles, definitely. If I could have my choice, I certainly would live in London as opposed to LA. I just prefer it here. But I love the work and in LA there's just so much more of it, and as an actor you kind of have to go where the work is. Luckily, I've been able to get the work out there. If work brings me back here, and a project is here and I can do it, I'll jump at the chance.
No better love than love with no objective, no more satisfying work than work with no purpose. If you could give up tricks and cleverness, that would be the cleverest trick!
At birth man is offered only one choice --the choice of his death. But if this choice is governed by distaste for his own existence, his life will never have been more than meaningless.
A mission is not just a casual thing-it is not an alternative program in the Church. Neither is a mission a matter of choice any more than tithing is a choice, any more than sacrament meeting is a choice, any more than the Word of Wisdom is a choice. Of course, we have our free agency, and the Lord has given us choices. We can do as we please. We can go on a mission or we can remain home. But every normal young man is as much obligated to go on a mission as he is to pay his tithing, attend his meetings, keep the Sabbath day holy, and keep his life spotless and clean.
There is nothing more satisfying than having a sentence fall into place in a way you feel is right, and then adding another one and then another one. It's extraordinarily satisfying.
I mean, if President Reagan could be an actor and become a President, if Michael Douglas is your next choice, maybe I could become an actor. And I've got a good pension; I can work cheap, which is unusual around here.
The critic is genius at one remove; he is not unlike an actor on the stage, and incarnates in his mind, as the actor embodies in his person, another's work; only thus does he understand art, realize it, know it; and having arrived at this, his task is done.
The truth is, an actor's performance is the result of work by a lot more people than just the actor. When you see that character portrayed up on screen, there is the work certainly of the actor, but there's the work of the editor, there's the work of what the camera was doing. What the music was doing, all of the above.
A patient doesn't select his physical ailments. They happen to him. You could just as well ask when you are eaten by a crocodile, 'How did you select that crocodile?'. Nonsense. He has selected you. The patient doesn't even select the symptoms unconsciously. That is an extraordinary exaggeration of the subject to say he was choosing such things. They get him.
When the artist is truly the servant of the work, the work is better than the artist; Shakespeare knew how to listen to his work, and so he often wrote better than he could write; Bach composed more deeply, more truly than he knew, Rembrandt's brush put more of the human spirit on canvas than Rembrandt could comprehend. When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.
I might have made more money if I had outsourced to India, and I knew I'd find it easier to hire senior managers in London. But I wanted to be in Stoke. What could be more satisfying than creating work for 3,000 people in my home town?
The greatness of a popular character is less according to the ratio of his genius than the sympathy he shows with the prejudices and even the absurdities of his time. Fanatics do not select the cleverest but the most fanatical leaders as was evidenced in the choice of Robespierre by the French Jacobins, and in that of Cromwell by the English Puritans.
There are some troubles from which mankind can never escape .... have never claimed that liberty will bring perfection; they simply say that its results are vastly preferable to those that follow from authority .... As a choice of blessings, liberty is the greater; as a choice of evils, liberty is the smaller. Then liberty always says the Anarchist. No use of force except against the invader.
There is nothing more satisfying than having plans.
The actor has to develop his body. The actor has to work on his voice. But the most important thing the actor has to work on is his mind.
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