A Quote by Ranvir Shorey

Actors who are super successful are the ones who thrive on the image by creating their forte. — © Ranvir Shorey
Actors who are super successful are the ones who thrive on the image by creating their forte.
Melancholia for Freud is the relationship that the subject takes up with respect to itself from the position of what he calls conscience or what he later calls the super-ego. And that can be lacerated - if you think of the anorexic who sees themselves from the perspective of the image they have, of the image they have of themselves in the mirror which is false - that would be the super-ego. Super-ego is what generates depression and it is what has to be dealt with in psychoanalysis.
Before you start production, you have characters you have created without actors in mind, then all of a sudden you've got actors. They bring an enormous amount in creating these characters, and creating the dynamics between the characters that you've written.
It's a super super strange world when the actors are the less weird ones.
I've never heard a man in a suit tell me what to wear; that's not their forte. You hire your stylist; whatever someone's image is as an artist is what they've chosen to portray.
I fell in love with film and its potential. The idea of putting one image next to another image and creating meaning blew my mind.
I was going to be a High School teacher. I was studying at the University of Alberta in Edmonton, up in Canada. I was also acting in a wonderfully supportive theatre community in Edmonton. There's a lot of support for theatre there. So, I was having a great time, but I didn't consider acting as a serious career initially, because even the most successful actors that I know in Edmonton are not super successful. Acting over there is just not a success-oriented career.
It's wonderful to move forward technologically, but we cannot forget that we are human beings who thrive on relationships, who thrive on interconnectivity, who thrive on sharing your feelings and emotions.
Skinny jeans and an extra big t-shirt. Ugh, I cannot stand that. It looks like an idiot: it's just proportionately wrong. And the super, super, super, super, super, super, super skinny jeans. I don't think you can get anything done when you're wearing clothes that tight.
In the 1920s, everyone wanted to be a celebrity. Everyone wanted to be like Babe Ruth or Charles Lindbergh. ... Businessmen, in particular, in the '20s really believed that to be a success, an entrepreneur needed to have a personality, a sense that you were a success. That's why I think Capone dressed the way he did. And that's why he entertained the press — because he wanted to be perceived as a successful American. Dale Carnegie ... would later cite Capone as a model for creating the public image. Obviously, it went bad in many ways for Capone, but that's the image he was going for.
A majority of the successful women on the pop scene conform to what a woman is supposed to be. Some have tried to get things moving. They have tried to modify the image. But sometimes the image has a hard time changing the eye - to change the relationship between the image and the eye takes longer.
For my qualifying concert, Helmut Walcha would not coach Charles-Marie Widor or any American compositions. In his defense, his forte was Germanic composers, and his forte was really a fortissimo!
In England or America, actors do not have to cater to an image. In India, it is almost demanded of us. Very seldom do you get a film where you can walk away from your image.
A lot of actors get concerned about their own image, even going so far as to rewrite a movie to best serve that image. All I want to do is be in good movies.
Actors thrive on challenges. Only then can you perform.
Of course, that is true of a lot of people, whether they drink or not - celebrities or actors have an image they've created, and an image people like of them.
At a certain level, great actors who are successful actors don't have to worry about it. They can just go for it because they believe in themselves.
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