A Quote by Ranvir Shorey
I like considering myself as someone in the film business.
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The fact is that you could not be, and still cannot be, a 25-year-old homosexual trying to make it in the British film business or the American film business or even the Italian film business. It just doesn't work and you're going to hit a brick wall at some point.
The feature film business, the studio film business, feels to me like there's just nowhere else to go. It's like a record that's just skipping at the end, with the needle stuck in the run-out groove.
I can't believe what I said about myself. What I said in my own private conversations with myself to an ESPN producer are my business, and I had no business saying them to someone else.
I assumed a business like a film studio would behave like a business and still want to protect its own interests, still do the best it could to get as many people paying for as many of their movies as possible. I realized this is not actually a business about business: it's a business of egos and dominance.
The business is so international now; you'll be working on an American film, and you'll start chatting to someone, and it's like: 'Oh, you're English, too.'
You can get really bored in this business [film], and I think that's one of the reasons why I've challenged myself so many times in different areas because you can get really bored and stagnated in one area. So, I do a lot of different things to keep myself occupied. In this business, it's a 'hurry up and wait' business and you have to really wait sometimes in some areas. I just keep myself busy. When one thing stops, the other one is rolling.
I put so much pressure on myself to raise the bar with each and every project. I treat it like every film is my last, and I make sure I pour everything I have into every film I make because if I'm not trying to improve, someone else will.
Considering I'm a young president, I wouldn't like to make an evaluation of myself. It's not my job to do that.
Back when I used to struggle with how I could define myself in the film business, I knew that I'd always remain true to myself and what I wanted to accomplish. The style of action I showcase is quite different from other stars we usually see, but I'm remaining true to myself, and hopefully this comes across.
Someone real," I hear myself saying. "Someone who never has to pretend, and who I never have to pretend around. Someone who's smart, but knows how to laugh at himself. Someone who would listen to a symphony and start to cry, because he understands music can be too big for words. Someone who knows me better than I know myself. Someone I want to talk to first thing in the morning and last thing at night. Someone I feel like I've known my whole life, even if I haven't.
I find that male directors are more interested in what the film looks like as opposed to what the film is about emotionally. My job is not to make the film look pretty, and I don't feel drawn to making myself look pretty within the film.
When you're writing something, and you're putting yourself out there, or you're performing and someone comes in and savages that, then of course it feels personal. It doesn't feel like it's just business, because there's no business - it's not like we're conducting business, this anonymous critic and I. It's just that this person is tearing me a new asshole.
A lot of biopics to me feel very much like someone is standing in front of the camera and is reading a Wikipedia page to you, like someone is reciting event. Did you know this happened? Did you know that happened? But Alan Turing's life deserved a sort of passionate film, and an exciting film.
I'd spent my whole adult life considering myself an independent entity, my life filled by work and friends and family. Suddenly I had a male partner, someone I woke up with and went to sleep with every night.
Whenever someone accuses someone of being a racist - which is rare, you have to admit, considering how much racism there is - there is an incredible outrage. I realized that we live in an environment that it seems to be worse to call someone a racist than to be one.
I did not go into the film business to be symbolized as someone else's vision of me.
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