A Quote by Raphael Bob-Waksberg
I am doing what I can to expand the tent and bring up other people and make sure we are telling different kinds of stories.
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So I found myself telling my own stories. It was strange: as I did it I realised how much we get shaped by our stories. It's like the stories of our lives make us the people we are. If someone had no stories, they wouldn't be human, wouldn't exist. And if my stories had been different I wouldn't be the person I am.
Memory is the way we keep telling ourselves our stories - and telling other people a somewhat different version of our stories.
People are sometimes having trouble deciphering what is true, and what is journalism with integrity, and what is not. It is incumbent upon us to, if anything, explain our process, and make sure that people understand the lengths that we go to bring objective truth-telling to the air, and to bring a wide variety of perspectives and the choices we make in how we cover the news. I think we could do a little bit of a better job doing that.
I get my ideas for books from my own kids and sometimes from other children. Often when I am telling stories I will say: I am going to make up a new story.
Acting is so much fun. It is a different ball game and I want to concentrate on that at the moment. I'm really passionate about what I do. I love entertainment and telling stories to people and I am very lucky that I am doing what I want to do.
What writers of fantasy, science fiction, and much historical fiction do for a living is different from what writers of so-called literary or other kinds of fiction do. The name of the game in F/SF/HF is creating fictional worlds and then telling particular stories set in those worlds. If you're doing it right, then the reader, coming to the end of the story, will say, "Hey, wait a minute, there are so many other stories that could be told in this universe!" And that's how we get the sprawling, coherent fictional universes that fandom is all about.
We're trying to make sure it goes up. Expand NASCAR, expand our fan base.
I love different sorts of people, their stories, all the different facets, that make them, them. This is entwined with how I am compelled to tell many of these stories and have ended up being a broadcaster after originally going to drama school and working in fashion for a bit.
I'm great at telling stories with the kids. I do all my different accents. We make our own stories up all the time, the four of us, me and Hannah and the kids.
Writers shouldn’t underestimate the difficulty of what they’re doing, and they should treat it with great seriousness. You’re doing something that really matters, you’re telling stories that have an impact on other people and on the culture. You should tell the best stories you can possibly tell and put everything you’ve got into it.
What is more important today for the audience is to have different kinds of content. They like variety, they like different kinds of stories, different kinds of entertainment.
There's something exhilarating about telling stories that haven't been shared before and haven't been told publicly before. The last thing I want to be doing is telling stories other people have already told. That's not to say that there isn't important work out there about people in positions of power, but I know my strength. Even when I was at the Wall Street Journal 10 years ago, this is what I wrote about.
The only way I can meet expectations of myself and what I think I am capable of is to make sure my game is in order and I am doing things that allow me to perform at my best, to make sure my training is good, to make sure I am focused on watching the ball and not worried about the external expectations.
Those powers that control the tent are not threatened at all by any activity that you engage in, in the shadows, that's not moving toward the tent. And I am rather convinced that we have a generation that is so preoccupied with life in the shadows, they never even focus on getting to the sunlight where you open up the big tent.
The challenge for me is to make sure I've done my work. To make sure not every scene is quiet, that other scenes rise up, that there's different tension.
When I was a kid I feel lonely, I have not many friends. If you make a movie, then you can work with different kinds of people and make different kinds of friend. That's very important to me.
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