A Quote by Raphael Bob-Waksberg

I don't know how everyone writes a novel; that sounds exhausting. — © Raphael Bob-Waksberg
I don't know how everyone writes a novel; that sounds exhausting.
The novel that an author writes is often not the novel that the reader reads, and most of the 'messages' in a novel are put there by the reader. There's nothing wrong with that, of course. That's how literature functions.
Novel writing is far and away the most exhausting work I know.
I think the problem with the term graphic novel is it sounds pompous, it sounds pretentious, whereas on the continent, they call it an album, which to me sounds, it's got more much of a connotation of a kind of a music single and an album collection.
[Raymond Roussel] said that after his first book he expected that the next morning there would be a kind of aura around his person and that everyone in the street would be able to see that he had written a book. This is the obscure desire harboured by everyone who writes. It is true that the first text one writes is neither written for others, nor because one is what one is: one writes to become other than what one is. One tries to modify one's way of being through the act of writing.
One man writes a novel. One man writes a symphony. It is essential that one man make a film.
I never know how a novel is going to end, because you don't really know what's going to be at the bottom of a novel until you excavate it.
It's a myth that you can have it all. You can't, but more importantly, I don't think you should want to. It sounds exhausting!
And why should any man who writes, even if he writes things immortal, nurse anger at the world's neglect? Who asked him to publish? Who promised him a hearing? Who has broken faith with him? Your poem, your novel, who bargained with you for it?
When you realize that someone doesn't like you, don't dwell on it. You do not need everyone to like you. Anyone who feels they need to be liked by everyone likely doesn't realize how exhausting this would be if it were to actually happen. Be thankful that there are those who want to ignore you. There is only one you. Charge admission.
I don't know how to write a novel in the world of cellphones. I don't know how to write a novel in the world of Google, in which all factual information is available to all characters. So I have to stand on my head to contrive a plot in which the characters lose their cellphone and are separated from technology.
It is exhausting to be running around pretending to be scared at night - It sounds so wussy actory.
We're a culture that's obsessed with people who make and who squander ridiculous amounts of wealth, which seemed an obsession well worth interrogating in a novel. That probably accounts for what some have called the book's "sweeping" feel, but I don't know that I set out to be cinematic. I wouldn't know how to do that in a novel, specifically.
Being a mother is more exhausting than working, and sometimes I push myself too hard and burn myself out. I can appreciate how exhausting it must be for women who have to do everything themselves all the time.
I have a slightly contrarian streak as a writer, and one of the things I was interested in was how distilled could I make a life, and how I could cross what is kind of trivialized as a domestic novel with a novel of ideas, a philosophical novel.
No one wants everyone to know how sick they are and everyone to see how much they are struggling. And when that seems to be the focus, of making sure everyone sees how sick you are, that's just confusing to someone that is trying to be supportive.
The concept of writing a novel and not knowing where it's going - I don't know how to do that. Novels are plot- and character-driven, so if I don't know what becomes of people, how can I know where it should begin?
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