A Quote by Raphael Bob-Waksberg

Art is a dialogue. I'm throwing rocks across a chasm and hoping people catch them on the other side. — © Raphael Bob-Waksberg
Art is a dialogue. I'm throwing rocks across a chasm and hoping people catch them on the other side.
In giving you are throwing a bridge across the chasm of your solitude.
The thing about stereotyping is it's usually just throwing rocks into a crowd hoping to hit somebody who deserves it.
The numbers of terrorists that we have caught coming - we actually don't catch them coming across the border. We usually catch them in some other context.
People understand contests. You take a bunch of kids throwing rocks at random and people look askance, but if you go and hold a rock-throwing contest - people understand that.
If the experience of leadership is like being at the edge of an unfamiliar chasm, the act of leadership is building a bridge across that chasm.
But the paparazzi are quite malicious and vocal and really rude, ... And they camped outside of my house, so I started throwing eggs at them, lobbing them at rocks next to them.
You ought to dialogue first before you start throwing spears. And I think the U.N. provides an opportunity for dialogue.
I wonder if it's ever really possible to know the truth about someone else, or if the best we can do is just stumble into each other, heads down, hoping to avoid collision. I...wonder how many people are clutching secrets like little fists, little rocks sitting in the pits of their stomachs. All of them, maybe.
Oh yeah, the preacher's kid has to be the baddest one. If everyone is smoking weed, we've got to smoke crack. If you're throwing rocks, we've got to throw bigger rocks
The biblical story is in dialogue with the other stories of its time. And if the Bible can be in dialogue with other cultures, why can't the people who are descendants of the Bible be in dialogue with other cultures?
If all my friends jumped off a bridge, I wouldn't jump with them. I'd be at the bottom, hoping to catch them.
When I first started writing plays I couldn't write good dialogue because I didn't respect how black people talked. I thought that in order to make art out of their dialogue I had to change it, make it into something different. Once I learned to value and respect my characters, I could really hear them. I let them start talking.
There's so many modern films where the fans take one side or the other. I'm hoping this isn't going to be like that; I'm hoping it isn't that kind of film at all. What I would love for the audience to take from it is to understand why she was so stuck in the middle and confused.
The Arab nations must be on our side. And if we catch them financing, if they funnel money to IS, that's when sanctions and other actions have to kick in.
You can crash on one set of rocks or the other set of rocks, and they crashed on the other set of rocks, which was probably being too little to be commercially viable.
Whatever I'm throwing out there in my work, you either catch that detail because you're ready to catch it, but if you're not, that's OK - you're still being entertained.
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