A Quote by Raphael Bob-Waksberg

I don't know if animation is a style. It's a format. — © Raphael Bob-Waksberg
I don't know if animation is a style. It's a format.
People, they think that animation is a style. Animation is just a technique. It's like, people, they think that comics is a style, like comics is a superhero story. Comic is just a narration, and is a medium, you can say any kind of story in comics and you can say of any kind of story in animation.
I can say is usually people are slightly confused. They think that silent movies are old. But, the fact is, they are old because they have been made in the '20s. That's the thing that makes them old. Not the format. The format is just a format. It's not an old format.
I'm the biggest fan of animation. I love the history of animation, I know it well.
As a format, I have watched shows from the West. I have tried to understand what it is and how this format is treated by writers, directors, and actors. I have been studying this format for four to five years.
Yeah, once we decided to use that replacement animation, and the seams are a function of that animation, and other movies paint those out, we decided we wanted to keep the presence of the animation and the type of animation that it was rather than make it look polished. It created a kind of vulnerability, I think.
Remember: TV is a format, film is a format, and books are a format.
I can apply myself to the format of 'SNL,' I can apply myself to the format of 'Conan,' but at the same time, I'm still being J. B. Smoove. I'm not changing up my style, I'm not changing up how I think, what's funny to me, my delivery, the way I carry myself.
Let's get real: the .GIF format is outdated and is not really that great for the modern web anymore. It was created in 1989, and it wasn't even created for the purpose of animation.
When people tell me they're trying to meditate, I always know they don't have a format yet that works. I encourage a real meditative format that you use daily, because meditation is incremental and it only works if done every day.
What I've done for the last ten years is develop high profile entertainment properties for animation, so it's kind of funny to be able to create my own book to already know how I'd want to develop it for animation and live action.
Every time you jump to another format in the 'picture business,' meaning film, television, commercials, the people in the other format go, 'Ah, yeah, you made a lot of features, but you don't know how to do TV' or the commercial people go, 'Oh, you can't do 30 seconds.'
I really love animation as a storytelling medium, whether it's traditional, cel animation, or CG, or stop motion, which is more our studio's area of focus. But I find that the creatives behind any kind of animation are typically very similar, and so regardless of what aesthetic they use to realize their vision, I'm usually pretty into it.
It's Twenty20, anything can happen in the format. It's very difficult to predict and pick a favourite team in this format.
I don't have a specific style. My style is unorthodox; that is my style. So you can't really place me here, place me there, because my style is just to be anywhere, you know what I'm saying?
I can't figure out how you can draft players for a coach that you know coaches a certain a style, and was successful doing that style, and get him to play a style that you feel comfortable with.
I have not seen the Hindi version or the first season of 'Big Boss Telugu.' I will bring my own style to the show, using my understanding of how the format works.
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