A Quote by Raphael Bob-Waksberg
The caustic style of 'Archer' was really on my mind when I was first doing 'BoJack' - perhaps too much!
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I do acrylic paint, oil paint, and caustic. Caustic is melted wax. It really depends on the painting, what vibe I'm looking for. That's really what matters.
When we started on 'BoJack,' it was understood that the Netflix model was to give shows time to find an audience, and to build that audience, and I remember being told, 'We expect the biggest day 'BoJack' Season 1 is going to have is when we launch 'BoJack' Season 2.'
Okay, if this is what falling in love feels like, someone please kill me now. (Not literally, overzealous readers.) But it was all too much - too much emotion, too much happiness, too much longing, perhaps too much ice cream.
I think comedians get too much credit or too much criticism for the style of comedy they do, and they generally do the style of comedy that works for them. [...] There's no kind of shrewd calculation going into the type of standup we all do. It's like David Cross is supposed to be doing the David Cross' type of standup.
We fear doing too little when we should do more. Then atone by doing too much, when perhaps we should do less.
Sometimes, having a reputation can be the best thing because people expect you to be really difficult, perhaps a bit caustic, and hard work - and I'm none of those things.
One of the bigger things, I think, was learning and trying to find out who Vance Archer was, and who Vance Archer is, and who Vance Archer would end up being.
Generally speaking, an author's style is a faithful copy of his mind. If you would write a lucid style, let there first be light in your own mind; and if you would write a grand style, you ought to have a grand character.
Soviet-style communism failed, not because it was intrinsically evil, but because it was flawed. It allowed too few people to usurp too much power. Twenty-first century market capitalism, American-style, will fail for the same reasons. Both are edifices constructed by human intelligence, undone by human nature.
It's so easy to get into the same routine. A novel every two years; perhaps, improving technique. But I'm not interested in that. I'm interested in doing something fundamentally important--and therefore, it needs time. And what I've been doing, really, is avoiding this pressure to get into the habit of one novel a year. This is what is expected of novelists. And I have never been really too much concerned with doing what is expected of novelists, or writers, or artists. I want to do what I believe is important.
In 'Bojack,' at least at first, we had to couch some of the sadder or weirder or introspective stuff we were doing in the costume of a typical adult animated comedy. With 'Undone,' it felt like we'd outgrown that expectation.
The first phase of C was - really, it was two phases in short succession of, first, some language changes from B, really adding the type structure without too much change in the syntax, and doing the compiler. The second phase was slower; it all took place within a very few years, but it was a bit slower, so it seemed.
The most important thing in life is style. That is, the style of ones existence-the characteristic mode of ones actions-is basically, ultimately what matters. For if man defines himself by doing, then style is doubly definitive, because style describes the doing.
The thing I always try to hold onto with 'BoJack' and with 'Flaked' is that maybe there is a sliver of hope that they are going to turn it around. They are just having a tough time getting there. And that's the thing with 'BoJack' - he is obviously depressed.
If you don't take a Sabbath, something is wrong. You're doing too much, you're being too much in charge. You've got to quit, one day a week, and just watch what God is doing when you're not doing anything.
Not even the severest critics of Jeffrey Archer can deny his style.
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