A Quote by Raphael Bob-Waksberg
I think some actors are very smart and have the tools. They know how to disconnect themselves from the characters, but I think for a lot of them, it's very difficult.
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The way the left is reacting to the death of Fidel Castro up against the incontrovertible facts of who he was, you want to talk about a disconnect. In fact, I don't think it is a disconnect. I think the left, the power brokers, the leaders, I think they actually did admire the guy. I think this is what they think Castro's power - I've always said, the people have asked me, how do these actors and people and these leftist politicians, how come they admire people like this? I said, "They envy their power." And I think there may be a lot to that.
I think that the 'Bourne Trilogy,' it's definitely redefined the genre and took it to a new level. It was really great to be part of that experience. It is a very smart movie and a very smart script, great director, and great, you know, fellow actors.
Actors, I think, are all the same. Both Korean actors and American actors are all very sensitive people, and they are all curious to know what the director thinks of them and how they are evaluated, and they try to satisfy the director. And they like it if you listen carefully to their opinions and accept them.
Normally, filmmakers would just write a script and cast people to act as certain characters in the story. But in my way of doing things, I have the actors in my mind already, so I'm trying to borrow something that's unique to them. The characters have a very natural connection to the actors themselves.
Look, a lot of directors were actors, even if they were unsuccessful actors which I think is helpful. I think it's a really helpful thing for a director to have experienced that. It helps you know how to talk to actors and how to get what you need from them.
I think that some actors who make it in Hollywood are very talented. There are some of my heroes, the Meryl Streeps of the world, a lot of people that I love their work but I think a lot of it is luck, looks, strategic alliances and relationships, your agent and a lot of business components.
Some people have read a few Marxist books and think themselves quite learned but what they have read has not penetrated, has not struck root in their minds, so that they do not know how to use it and their class feelings remain as of old. Others are very conceited and having learned some book-phrases, think them terrific and are very cocky; but whenever a storm blows up, they take a stand very different from that of the workers and the majority of the peasants. They waver while the latter stand firm, they equivocate while the latter are forthright.
I know my generation - a lot of them, they're getting old now, and they want to think back fondly, they want to kid themselves. A lot of them think, 'Yeah, we were the best.' That's the kiss of death. That's non-growth. And also that's very bad for the world.
I always go back to how people behave. If you watch how people actually behave in a situation, it's very simple and honest and contained. You don't need to use as much expression, as much feeling. Some characters will boil over, and that's another thing, but a lot of times I think you can just do very, very little.
There's a lot of definitions flying around of what we mean when we say fake news. And there's also a lot of pitfalls and I think some misguided recommendations that are out there about what Facebook and Twitter and the others should and shouldn't do. It's very difficult and I, you know, recommend sort of very thoughtful slow going for everyone.
They think you can't feel anything, because they've forgotten how. You're very, very dangerous, I get that, and you're prone to some very theatrical brooding, but don't let yourself mistake that for some kind of inner corruption. They see themselves in you and are blinded.
I think all great actors - and I don't classify myself as one of them, incidentally - but I think all great actors listen well and I've learned that from a lot of the very good actors with whom I've worked - to really listen to what people say.
With a group of people, a troupe of actors in the theater, you go out on tour, and you're like a traveling circus. It's very sociable, and there's a real community, and it's very intense, and then you may never see them again. That was very appealing. I mean, it wasn't consciously appealing, but I think a lot of actors like that.
It is important to know how influential people think and perceive their countrymen, let's say, especially when you are talking about people in power. I think it can be very revealing how they regard themselves and their relationship or their responsibility to their countrymen. That is vital for us all to know and in order to be able to judge them and evaluate them.
Well, he's got a much bigger circus to play with, and he has a lot more financing available, and he has a lot more time available. I think that makes a huge difference. I think he instinctively knows how to make films and all the different ways that you can make stuff. He's very gadget-wise, and he's very smart about all the different things that are available to a filmmaker nowadays, and he makes very good use of them. He has a theater in his house, for God's sake. It has proper curtains on it and everything. It's pretty wild.
Some actors actually think about what they're going to talk about during the interview - they read up and meditate and plan quotes and get all inspired. It's very smart, but it's so planned. I never think to do that.
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