A Quote by Raphael Bob-Waksberg

I want to give my characters nuance. — © Raphael Bob-Waksberg
I want to give my characters nuance.
All the translations of a poem in all possible languages may add nuance to nuance and, by a kind of mutual retouching, by correcting one another, may give an increasingly faithful picture of the poem they translate, yet they will never give the inner meaning of the original.
Television is apparently the enemy of nuance. But nuance is essential for a thoughtful discussion.
These superhero movies are starting to give more love to not only black characters but also to more female characters, which is necessary because you have boys and girls of all colors who are looking at these superheroes saying, 'I want to be that. I want to look like that. Show me somebody that I can automatically connect with.'
Actors want to work. Give them characters they want to play, or a story they want to tell, and hopefully the budget will follow.
I consider myself a basketball aficionado and really understand and know the nuance. I'm a fan of the game. But more than an everyday fan. I love the nuance of the game.
In Hollywood, the guy who plays Batman and Spiderman also plays normal characters. The biggest stars in the world want to play different characters. We can't give the excuse that because an actor played a superhero in his previous film, his next one won't work.
There are no moral lectures in 'Lookaway, Lookaway;' there aren't even any lessons. But there is passion. It is a work that hides its craft but never its beauty, that is ambitious but never pretentious, that does not sacrifice nuance for power or power for nuance.
All that matters to me as a reader are characters. I want characters to be real, authentic, and rounded. I will be digging into characters for at least a month. Who they are. What they are like. Outside of the story.
I want to spend my time exploring the characters we've already got here. I want to give them more time to shine before the team gets to have 400 members.
When I'm creating characters, I just want to create characters that I can relate to, and be as honest about them as people as I can be. That's what I want to see when I go to the movies.
As the writer, you can choose the word that seems best in terms of meaning, nuance, sound, etc. As the translator you are unlikely to find a word in your language that exactly matches, so that you are always making a decision about which meaning or nuance to choose, or emphasize, over the others.
I don't want to put on any gimmicky layers just to give the character more definition. I just want to play good characters. It doesn't matter to me if it's 'open ethnicity' or 'specifically Asian.'
For an author, the nice characters aren't much fun. What you want are the screwed up characters. You know, the characters that are constantly wondering if what they are doing is the right thing, characters that are not only screwed up but are self-tapping screws. They're doing it for themselves.
Usually, I like to play sophisticated-looking characters. I want to do 'Godfather'-like characters. Given my voice and style, such characters will be apt for me.
My characters surprise me constantly. My characters are like my friends - I can give them advice, but they don't have to take it. If your characters are real, then they surprise you, just like real people.
My characters surprise me constantly. My characters are like my friends - I can give them advice, but they don't have to take it. If your characters are real, then they surprise you, just like real people
This site uses cookies to ensure you get the best experience. More info...
Got it!