A Quote by Raphael Saadiq

I just think, who wants new soul? I want my soul to be the same as Otis Redding, I don't wanna have a new one. — © Raphael Saadiq
I just think, who wants new soul? I want my soul to be the same as Otis Redding, I don't wanna have a new one.
Otis Redding was the ultimate 60s soul singer. We only get an indication of what he might have become, but he had the best soul pipes a lad could wish for.
When I hear a singer, I want them to be passionate and intense, and soul singers like Otis Redding and Wilson Pickett always seemed to do exactly that.
Bob Dylan and John Lennon and Bruce Springsteen, these are soul guys. Bruce Springsteen might not sing like Otis Redding, but he sings with white soul. He's singing and he's writing songs from the bottom of his gut.
I think soul is soul. I don't see new soul as any different to old soul.
I think the most-played record in our house was the 'Big Chill' Soundtrack - so Smokey Robinson, Aretha Franklin, the Temptations, Otis Redding. I think that's where I got my love for a good hook, a good soul hook - really smooth and warm and from the heart.
There are many influences in my music, not only blues. R&B, Motown, gospel, old timey, jazz, even classical are all part of what I do. I started with classical, then country, then blues, and after that I started listening heavily to Motown and gospel. My earliest efforts as a songwriter were soul. Aretha Franklin, Curtis Mayfield, Wilson Pickett, Gladys Knight, James Brown, Otis Redding, Marvin Gaye and Fontella Bass are just a few of the names that come to mind as the God's of soul and Motown.
There's been a time where I was like, I wanna be a folk singer; no, I wanna sing soul. I want to sing classical music. I want to sing R&B. I want to be on Broadway. I just wanna sing. Whatever comes out of my mouth, that's what I want to do.
I don't want to just do what people classify as 'neo-soul' 'cause everybody don't listen to neo-soul. I want to make music for everybody. I'm always trying to incorporate new elements into what I do.
I always really loved soul music but all my friends were into the new romantic scene. I'd go to new romantic clubs and then go home and listen to soul music. I was sort of ashamed of listening to disco and soul music!
While growing up in Birmingham around a lot of West Indian people, reggae and calypso were big influences early on but Otis Redding was the one person who made me wanna sing myself.
The human soul doesn't want to be fixed, it simply wants to be seen and heard. The soul is like a wild animal - tough, resilient and shy. When we go crashing through the woods shouting for it to come out so we can help it, the soul will stay in hiding. But if we are willing to sit quietly and wait for a while, the soul may show itself.
I never leave anything behind. It's like a history, a chain, a line of life, you just have to move and make new steps, and keep it evolving - but my soul is my soul.
I've been influenced by so many great people , like Sam Moore, Wilson Pickett, Otis Redding, John Lee Hooker, B.B. King, so many great blues and soul artists that I completely revere. So it's strange for me, actually, to hear somebody say, 'Oh, I was deeply influenced by your music.'
I want people to see an honesty within me. I'm not trying to be the next Sam Cooke or Otis Redding.
The object of a New Year is not that we should have a new year. It is that we should have a new soul and a new nose; new feet, a new backbone, new ears, and new eyes. Unless a particular man made New Year resolutions, he would make no resolutions. Unless a man starts afresh about things, he will certainly do nothing effective.
I grew up loving Etta James and Aretha Franklin and Al Green and Otis Redding, and I just love old-school R&B. It's just music that moves you and grooves you, and it was very important, I think, for music.
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