A Quote by Raphael Soyer
Every brush stroke has a certain tension, a certain nervousness. Every brush stroke is, in a sense, some kind of an accident.
Related Quotes
I'm in deep in everything, every moment of the day. I create the systems and oversee every aspect of the execution. Every mark on a sculpture and every brush-stroke on a painting is in a controlled situation, exactly as they'd be if I'd have done them myself.
The Chinese use two brush strokes to write the word "crisis." One brush stroke stands for danger; the other for opportunity.
If you would listen to every stroke of my brush, I would never need to speak again.
When everything is added up, the frequent blows weighted against the sporadic triumphs, this is I have to say not just a vocation, it's a great gift. But you also know this, for your work, for your passion, every day is a rededication. Painters, dancers, actors, writers, filmmakers. It's the same for all of you, all of us. Every step is a first step. Every brush stroke is a test. Every scene is a lesson. Every shot is a school. So, let the learning continue.
The Chinese use two brush strokes to write the word 'crisis.' One brush stroke stands for danger; the other for opportunity. In a crisis, be aware of the danger--but recognize the opportunity.
Grain is the brush stroke of photography.
Every putt is different. Your feet dictate the stroke by how they feel on the green. I just never used the same stroke on every putt.
To me, the whole process of being a brush stroke in someone else's painting is a little difficult
To change your mind under the direction of the wisdom of the heart is a brush stroke on the masterpiece you are delivering to the world.
My theory of characterization is basically this: Put some dirt on a hero, and put some sunshine on the villain, one brush stroke of beauty on the villain.
My hair is always the same. It's wavy, so I brush it with a round brush. I'm a brush fanatic. I hoard brushes. I love getting my hair brushed. I will ask my friends to brush my hair for me.
Whatever you feel or think your exact state at the exact moment of your brush touching the canvas is in some way registered in that stroke.
I stroke it to the East, and I stroke it to the West, and I stroke it to the woman that I love best. I be strokin'.
I brush it, brush it after every practice and stuff, just because it gets tangled. It's just all natural, let it grow, let it be, let it be real.
Solving climate change is a complex topic, but in a single crude brush-stroke, here is the solution: the price of carbon dioxide must be such that people stop burning coal without capture.
I'm allowing myself every opportunity, every tool that every other artist should allow themselves to use. If anybody expects me to not use certain language or certain words, like I have some kind of penalty restriction, it's completely unrealistic.
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