A Quote by Rasheed Ogunlaru
The best way to get something good out of what you're doing is to put something good into it.
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When you have something good... When you have something good, you don't play with it! You don't take chances with it! You don't take risks with it! When you got something good, you get every single thing you can get out of it! Because guess what? When you take care of something good, that something good takes care of you.
It occurred to me that building a company was the best way to align a group of people towards building something great. And its really... it's a good organizational structure where you can really reward people. If they're building something that's good, you can you work with partners and reward them if the product that you're developing work well. It's a good way to get the best people involved to build something very good.
The roots of love sink down and deep and strike out far, and they are arteries that feed our lives, so we must see that they get the water and sun they need so they can nourish us. And when you put something good into the world, something good comes back to you.
Once I get on something, once I have something that I'm working on, then I become very obsessive. In a good way. I mean,... is there a positive way to say obsessive? It's a good thing and if you're out there and you're working on something right now and you're crazed and you're up in the middle of the night, or you can't stop thinking about it, or you have to keep reading other things about the subject that you're working on or whatever. That's good and I think that's necessary creatively.
That's the nice thing about doing stand-up. There's no development, you just go out there and get an immediate response as to whether something is good or bad. Getting a laugh is the best measure of how well you're doing.
There is no kind of ultimate goal to do something twice as good as anyone else can. It's just to do the job as best you can. If it turns out good, fine. If it doesn't, that's the way it goes.
I love learning. I tend to stop doing things once I get good at them, and to try something else I'm not as good at, leaving a bunch of fans going, "But he was really good at that. Why isn't he still doing it?"
Get into something that's really personal that means something to you, where you have something to say and is something really individualized. I wish I was more aware of that when I started my career instead of doing a few things I was told would be good for me. And they weren't, because it left me empty, so I didn't do a good job anyways. I think that's what's key to what we do: It's got to be personal.
I find that with any good run on a show with good writers, they put something on paper, and you put something back on film, and that affects what they put on the paper the next time.
Everyone's a critic: when you are doing something good, everybody wants to bring you down, and that's something I've been told. People want to see you do good, but not too good.
All you do as a performer is keep doing it. If you keep doing it, then it depends on why you're doing it. If you're doing something for superficial, monumental reasons and if you're doing it for female attention, or if you're doing it for money, it's like being upset. Only way you can get upset is when you expecting something. If you don't get this award or don't get that award, that because you expect something.
You can't put rubbish into a computer and get something good out.
Don't be afraid to cry. Everyone needs a good cry sometimes. Sometimes I'll feel it in my throat, like, 'Today I'm going to cry about something stupid,' so just to get it out of the way, I'll watch a sad movie or something, accepting that that's totally fine and feels good.
Basically you're doing the best you possibly could do and until it's out there and until people are hearing good feedback, I guess that's how you know you've done something good. We're so close to it that it's hard to look outside because we're inside of it, so it's really nice when you hear good feedback on the outside.
I think that's a great opportunity, to pick a script where you can build up a good skill. I think the main thing I look for when I look at scripts is if it's inspirational. If it's something that teenagers can relate to. And is it something that the audience is going to get something out of. If not, then it's really not worth doing.
But I find the best things I do, I do when I'm trying to avoid doing something else I'm supposed to be doing. You know, you're working on something. You get bugged, or you lose your enthusiasm or something. So you turn to something else with an absolute vengeance.
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