A Quote by Rashid Johnson

What I really hoped to do with my work was to at least be able to define my relationship to race. — © Rashid Johnson
What I really hoped to do with my work was to at least be able to define my relationship to race.
I can't define myself. And I'm really happy about this, that I'm not able to make a definition of, even of my work.
I don't know that I could really define love. I can't . . . again, it's like trying to define what this creative force is. It's beyond my ability to really define. If I can define it, then it's not it. We're right back to that thing again.
In solitude, at last, we’re able to let God define us the way we are always supposed to be defined—by relationship: the I-thou relationship, in relation to a Presence that demands nothing of us but presence itself. Not performance but presence
When I said I had always hoped to marry in my race, I really do mean that. That doesn't mean I absolutely wouldn't marry outside of it, but there's a culture and traditions to maintain, and I have great pride in them, and I always thought it would be wonderful to share that with somebody of my race.
I'm disappointed that I really haven't been able to race in a way that is reflective of the amount of work that I have done and how I have trained. But I don't regret giving this a go.
A relationship is hard in and of itself. And having kids is really hard work, but I think it's really meaningful, as is a relationship. But they all take work.
I don't want our relationship to end like this. You're one of the very few friends I have, and it hurts not being able to see you. When am I going to be able to talk to you? I want you to tell me that much, at least.
When we define democracy now it must still be as a thing hoped for but not seen.
As much as I moved to New York and tried to work in theater as much as I could - I developed a relationship with Circle Rep - make no mistake about it, I really, really wanted to be in a film. It seemed like almost everyone I knew at least did something in a movie, except me.
Not having a great relationship with my brother Aaron, or what people think that relationship should be, didn't define me.
As I started to consider a career in music, I hoped for success, truthfully. I didn't imagine anything that would amass the level of the first record, but I hoped that I would be able to sustain a career.
Drag Race' was, like, my outlet and finally being able to see myself in television and that was through Manila Luzon, who was a 'Drag Race' contestant. Manila was the first Asian queer person that I ever saw on mainstream media and 'Drag Race' really did that for me.
The technology can help the artist work in a different way and the artist also helps define what the technology should be. They call for the tools that they want to be able to tell their story. I thought that was really exciting and interesting.
My faith motivates me to really try to work on behalf of and advocate for those who are least able to advocate for themselves.
My work is trying to at least define myself on my own terms, and then if other people enjoy things that's a lovely addition.
In the past, I said I didn't want to speak on certain issues because the second I said one thing about race, then 'Tyron's playing the race card.' But if you really think about it, what is the race card? The race card is that the man held me down, I had unfair circumstances, and I wasn't able to be successful because I was held down.
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