A Quote by Rashid Johnson

When I was younger, I would see shea butter being sold on the street, and I was interested how people were still coating themselves in the theater of Africanism. You see that in dashikis and hairstyles and music.
We all know that the theater and every play that comes to Broadway have within themselves, like the human being, the seed of self-destruction and the certainty of death. The thing is to see how long the theater, the play, and the human being can last in spite of themselves.
I don't know where genre really comes from. I grew up with parents who were artists, and I was always interested in what music they were listening to and open to all kinds of genres. So it's nice to see that whole families come to my concerts. I like having an element in my music that is inclusive rather than exclusive, without being pop for the sake of it. It's not important to me how many people listen to it - it's more wonderful that it brings people who wouldn't usually meet into the same room.
There were times when I would suddenly realize making music is a crazy pipe dream. I would see bands that did super well in South Africa still struggling to survive, or even people on the international level who are doing well but financially can't really support themselves.
Worship leader George Beverly Shea kidded Billy Graham that the latter would be unemployed in Heaven -- while Shea would still have a job leading worship.
We have to reach out to younger audiences. They need to see how they can see themselves as black women.
I sold my soul to the devil. I'm going to hell. I'm headed to hell. I want the money, the women, the fortune, and the fame. That Means I'll end up burning in hell scorching in flames. Satan'll be in to see me later to see if I'm interested in being partners. Devil worshippin', Satan music.
I come from the theater and I plan to always do theater. So I don't really see myself not being able to act even if people don't think I am sexy enough for film at 40, I'll still be acting.
I can use movie as a language. Not only could it send a good message, I could let people know about my thinking and how I see the world, how I see the colour, how I see the music, how I see everything.
I've largely focused on Japan my whole career, so I was interested to see how my music would be received by people of different backgrounds, religions and cultures.
I see the audience as the final collaborator. I think it's kind of bullshit when people say, "I'm not interested in the audience reaction." I'm like, "Then why do you do theater? You can write a book, then you don't have to see how the audience reacts." It's a living, breathing thing.
Animals see a video of the world. If an animal were only to see still images, how would its vision develop? Neuroscientists have run experiments in cats in a dark environment with a strobe so it can only see still images - and those cats' visual systems actually underdevelop. So motion is important, but what is the algorithm?
If we would end the war on drugs, you would see the end of the militarization of our police forces and you would see an end to a lot of the shooting violence that's going on when people are being pulled over for traffic stops and then suddenly executed right in the street.
I use shea butter, olive oil, Shea Moisture - the coconut hibiscus bottle. A mix of that. If I want to do a slick bun, I'll use Eco Style Gel even though it has fragrance in it. Oooh, scary. I'll survive. I keep using it because it works.
What works for a man, still does not work for a woman - both in terms of how they see themselves and how we see them.
I just always liked the company. The people who hung around her were amazing storytellers, whether it was actors or crew. They were just exciting people. And I knew that they were different when I would go see a friend or stay at someone else's house. It just wasn't as cool. So I always loved the theater, and that's where I started: at a theater up in Canada.
My vision of punk rock was these dudes who were spitting on the audience and moshing. That's why I kind of left that scene. Then I see all these people around my same age or between 17 and 25 that were making music themselves in their own town. They weren't just singing, but creating. I see them putting out this music where there are tons of women involved in the scene and involved in the bands.
This site uses cookies to ensure you get the best experience. More info...
Got it!